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Ryle, G.1
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3
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0040188497
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From Cybernation to Interaction: A Contribution to an Archaeology of Interactivity
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ed. Peter Lunenfeld Cambridge, MA: MIT Press
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See Erkki Huhtamo, 'From Cybernation to Interaction: A Contribution to an Archaeology of Interactivity', in The Digital Dialectic: New Essays on New Media, ed. Peter Lunenfeld (Cambridge, MA: MIT Press, 1999), pp. 96-110.
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(1999)
The Digital Dialectic: New Essays on New Media
, pp. 96-110
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Huhtamo, E.1
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5
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80054177258
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Living with Creative Machines: An Improvisor Reflects
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ed. Anna Everett and Amber J. Wallace Santa Barbara: Center for Black Studies Research
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For a fuller discussion of this history, see George E. Lewis, 'Living with Creative Machines: An Improvisor Reflects', in Afrogeeks: Beyond the Digital Divide, ed. Anna Everett and Amber J. Wallace (Santa Barbara: Center for Black Studies Research, 2007) pp. 83-99.
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(2007)
Afrogeeks: Beyond the Digital Divide
, pp. 83-99
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Lewis, G.E.1
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7
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33745872102
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Too Many Notes: Computers, Complexity and Culture in Voyager
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(p. 37)
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My own activity as composer since the late seventies exemplifies this approach, which I have characterized elsewhere as 'technology-mediated animism'. See George E. Lewis, 'Too Many Notes: Computers, Complexity and Culture in Voyager', Leonardo Music Journal, 10 (2000), p. 33-39 (p. 37).
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(2000)
Leonardo Music Journal
, vol.10
, pp. 33-39
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George, E.1
Lewis2
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8
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0011487959
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Making Music Together: A Study in Social Relationship
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ed. Arvid Broderson The Hague: Martinus Nijhoff
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Alfred Schutz, 'Making Music Together: A Study in Social Relationship', in Schutz, Collected Papers 2: Studies in Social Theory, ed. Arvid Broderson (The Hague: Martinus Nijhoff, 1964), pp. 159-78.
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(1964)
Schutz, Collected Papers 2: Studies in Social Theory
, pp. 159-178
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Schutz, A.1
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9
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80054259495
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See 〈http://www. livealgorithms. org〉.
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10
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80054177266
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Live Algorithms for Music Research Network - Final Report March 2007
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Goldsmiths College, London
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'Live Algorithms for Music Research Network - Final Report March 2007' (LAM Research Workshop, Goldsmiths College, London, 2007).
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(2007)
LAM Research Workshop
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16
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80054206700
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06/08/07
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Rodney Brooks and Kurt Andersen, Robots, 〈http://www. studio360. org/yore/show011803. html〉 [06/08/07].
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Robots
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Rodney, B.1
Kurt, A.2
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19
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0027451909
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Music and Spatial Task Performance
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The industry, of course, ignored the researchers' major caveat, clearly stated in a newspaper headline and in the researchers' own paper, namely that 'The effect on the intelligence of the students in the study, however, barely lasted longer than the echo of the piano chords. The IQ boost dissipated within 15 minutes, the team reported today in the journal Nature. ' See Robert Lee Hotz, 'Study Finds That Mozart Music Makes You Smarter: IQ Scores Improved after Students Listened to a Sonata. But the Gain Is Temporary, Researchers Note', Los Angeles Times, October 14, 1993. The original paper on this still-controversial matter is Gordon L. Shaw, Francis H. Rauscher and Katherine N. Ky, 'Music and Spatial Task Performance', Nature, 365 (1993), p. 611.
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(1993)
Nature
, vol.365
, pp. 611
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Shaw, G.L.1
Rauscher, F.H.2
Ky, K.N.3
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20
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0348047703
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The Mystery of the Mozart Effect: Failure to Replicate
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For one of a number of skeptical scientific views of the Mozart Effect, see Kenneth Steele, et al, 'The Mystery of the Mozart Effect: Failure to Replicate', Psychological Science, 10 (1999), pp. 366-68.
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(1999)
Psychological Science
, vol.10
, pp. 366-368
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Steele, K.1
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22
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80054206372
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Figuring the Human in AI and Robotics
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Suchman's critique of Brooks's notion of the social appears in the chapter on 'Figuring the Human in AI and Robotics', in Lucy Suchman, Human-Machine Reconfigurations: Plans and Situated Actions, pp. 226-40.
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Human-Machine Reconfigurations: Plans and Situated Actions
, pp. 226-40
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Lucy, S.1
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24
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80054259049
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Barry Guy with George Lewis, Transcript of Post-Concert Discussion (Sonic Arts Research Centre, Belfast, Northern Ireland, April 24, 2007).
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Barry Guy with George Lewis, Transcript of Post-Concert Discussion (Sonic Arts Research Centre, Belfast, Northern Ireland, April 24, 2007).
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27
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80054176872
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trans. Richard Nice Cambridge and New York: Cambridge University Press
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Pierre Bourdieu, Outline of a Theory of Practice, Cambridge Studies in Social Anthropology, No. 16, trans. Richard Nice (Cambridge and New York: Cambridge University Press, 1977), p. 24.
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(1977)
Outline of A Theory of Practice, Cambridge Studies in Social Anthropology
, Issue.16
, pp. 24
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Bourdieu, P.1
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29
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0004106080
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trans. Steven Rendell Berkeley: University of California Press
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Michel De Certeau, The Practice of Everyday Life, trans. Steven Rendell (Berkeley: University of California Press, 1984), p. 57.
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(1984)
The Practice of Everyday Life
, pp. 57
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Certeau, M.D.1
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31
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85071824990
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John Cage's Puritanist call for an improvisation 'characterized by an absence of intention
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New York: Routledge
-
For example, John Cage's Puritanist call for an improvisation 'characterized by an absence of intention', in Richard Kostelanetz, Conversing with Cage (New York: Routledge, [1987] 2003), p. 222.
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(1987)
Conversing with Cage
, pp. 222
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32
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33750562167
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John Cage's Queer Silence, or How to Avoid Making Matters Worse
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For a discussion of dislocations and asymmetries of race and sexual orientation in 1950s America, see Jonathan Katz, 'John Cage's Queer Silence, or How to Avoid Making Matters Worse', GLQ 5:2 (1999), pp. 231-52.
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(1999)
GLQ
, vol.5
, Issue.2
, pp. 231-252
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Jonathan Katz1
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33
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80054176992
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The Student Revolt: The Activists Speak
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London: Jonathan Cape
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See Hervé Bourges, The Student Revolt: The Activists Speak, trans. Ben Brewster (London: Jonathan Cape, 1968).
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(1968)
Trans. Ben Brewster
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Hervé, B.1
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34
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84924969945
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Reflexionen Über Improvisation
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1979 Reinhold Brinkmann Mainz: Schott
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For a more musically centered account, see Vinko Globokar, 'Reflexionen Über Improvisation', in Improvisation Und Neue Musik: Acht Kongressreferate, ed. Reinhold Brinkmann (Mainz: Schott, [1972] 1979), pp. 24-41.
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(1972)
Improvisation und Neue Musik: Acht Kongressreferate
, pp. 24-41
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Globokar, V.1
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37
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80054177009
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Mark Hansen, and Ben Rubin, Listening Post,[19/08/07]
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Mark Hansen, and Ben Rubin, Listening Post, 〈http://www. earstudio. com/projects/listeningpost. html〉 [19/08/07].
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38
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0004123083
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trans. Brian Massumi (Minneapolis: University of Minnesota Press
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Jacques Attali, Noise: The Political Economy of Music, trans. Brian Massumi (Minneapolis: University of Minnesota Press, 1989), p. 141.
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(1989)
Noise: The Political Economy of Music
, pp. 141
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Attali, J.1
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39
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80054259302
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Until quite recently, much of this activity was anonymous by the design of the Wikipedia's owners, but in mid-2007, the WikiScanner site (〈http:// wikiscanner. virgil. gr/〉) developed a way to track the provenance of Wikipedia edits. Unsurprisingly, many of these edits were shown to have come from corporate and governmental sources, including military and security establishments.
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(2007)
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41
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2942586076
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On Repetition in Black Culture
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147
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James Snead, 'On Repetition in Black Culture', Black American Literature Forum, 15:4 (1981), pp. 146-54 (p. 147).
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(1981)
Black American Literature Forum
, vol.15
, Issue.4
, pp. 146-154
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Snead, J.1
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43
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80054259290
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On Repetition in Black Culture
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152
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James Snead, 'On Repetition in Black Culture', pp. 147; 152.
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Snead, J.1
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44
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80054177120
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Dans l'improvisation, l'homme trop prévoyant veut retrouver l'innocence d'une vie au jour le jour et résoudre au les problèmes minute nés du hasard minute: il dérange donc sa propre adaptation aux accidents et se prive du délai qui assurait sa sé curité
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Paris: Flammarion ,1998
-
The original French version reads as follows: 'Dans l'improvisation, l'homme trop prévoyant veut retrouver l'innocence d'une vie au jour le jour et résoudre au vol les problèmes minute nés du hasard minute: il dérange donc sa propre adaptation aux accidents et se prive du délai qui assurait sa sécurité', in Vladimir Jankélévitch, Liszt: Rhapsodie Et Improvisation (Paris: Flammarion, [1955] 1998), p. 111. Author's translation.
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(1955)
, pp. 111
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|