Globalization/Modernization: Rap, Reggae, Rock, or Samba: The local and the global in Brazilian Popular Music (1985-95)

Latin American Music Review - Revista de Musica Latinoamericana

Volumn 27, Issue 1, 2006, Pages 79-90

  Béhague, Gerard ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 61249739028     PISSN: 01630350     EISSN: 15360199     Source Type: Journal    
DOI: 10.1353/lat.2006.0021     Document Type: Review

References (6)

1. Carvalho, Jose Jorge de 1994 The Multiplicity of Black Identities in Brazilian Popular Music. Brasilia: Universidade de Brasilia.
2. Crook, Larry N. 1993 "Black Consciousness, Samba Reggae, and the Re-Africanization of Bahian Carnival Music in Brazil." The World of Music 35(2):90-108.
3. Erlmann, Veit 1993 "The Politics and Aesthetics of Transnational Musics." The World of Music 35(2):3-15.
4. Guerreiro, Goli 1994 Retratos de uma tribo urbana: rock brasileiro. Salvador: Centro Editorial e Didatico da UFBA.
5. Nettl, Bruno 1985 The Western Impact on World Music: Change, Adaptation, and Survival. New York: Schirmer Books.
6. Seeger, Anthony 1994 "Whoever We Are Today, We Can Sing You a Song about It." In Music and Black Ethnicity: The Caribbean and South America, edited by Gerard H. Béhague, 1-15. New Brunswick: Transaction Publishers.