Four distinct movement qualities in music: A performer's guide

Contemporary Music Review

Volumn 16, Issue 3, 1997, Pages 39-53

  Pierce, Alexandra ^a  

^a UNIVERSITY OF REDLANDS   (United States)

Author keywords

Balance; Cadential tonic; Melody; Metre; Movement; Performance; Phrase

Indexed keywords

EID: 61249533395     PISSN: 07494467     EISSN: 14772256     Source Type: Journal    
DOI: 10.1080/07494469700640181     Document Type: Article

References (7)

1. Bartenieff, Irmgard (1980) Body movement: coping with the environment. New York: Gordon and Breach
2. Pierce, Alexandra (1987) Music and movement: beat; juncture. In Thomas A. Sebeok & Jean Umiker-Sebeok (eds.) The semiotic web, 1986. Berlin: Mouton de Gruyter, pp. 514-539
3. Pierce, Alexandra and Pierce, Roger (1989) Expressive movement: posture and action in daily life, sports and the performing arts. New York: Plenum Press
4. Pierce, Alexandra & Pierce, Roger (1991) Generous movement: a practical guide to balance in action. Redlands: Center of Balance Press
5. Rothfarb, Lee A. (1988) Ernst Kurth as theorist and analyst. Studies in the criticism and theory of music, 3. Philadelphia: University of Pennsylvania Press
6. Tarasti, Eero (ed.) (1995) Musical signification: essays in the semiotic theory and analysis of music. Berlin: Mouton de Gruyter, pp. 285-300
7. Toch, Ernst (1948) The shaping forces of music. New York: Criterion Music Corporation.