Black violence as cinema: From cheap thrills to historical agonies

Violence and American Cinema

Volumn , Issue , 2013, Pages 211-225

  Guerrero, Ed ^a  

^a NEW YORK UNIVERSITY   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 61249524850     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9780203700570-18     Document Type: Chapter

References (20)

1. Andrew Hacker, Money: Who Has How Much and Why (New York: Scribner, 1997) 146-47.
2. Martin Amis, “Blown Away,” in Screen Violence, ed. Karl French (London:Bloomsbury, 1996), 12-15.
3. Neal Gabler, “The End of the Middle,” New York Times Magazine, November 16, 1997, 76-78.
4. Ella Shohat and Robert Stam, Unthinking Eurocentrism (New York:Routledge, 1994), 23-25.
5. Ed Guerrero, “The Rise and Fall of Blaxploitation,” in Framing Blackness: The African American Image in Film (Philadelphia: Temple University Press, 1993).
6. Derrick Bell, “Racial Realism-After We’re Gone: Prudent Speculations on America in a Post-Racial Epoch,” in Critical Race Theory: The Cutting Edge, ed. Richard Delgado (Philadelphia: Temple University Press, 1995), 2-8.
7. Jeff Giles, “A ‘Menace’ Has Hollywood Seeing Double,” Newsweek, July 19, 1993, 52.
8. Geraldine Fabrikant, “Harder Struggle to Make and Market Black Films,” New York Times, November 11, 1996, D1.
9. Bernard Weintraub, “Twins’ Movie-Making Vision: Fighting Violence with Violence,” New York Times, June 10, 1993, C13.
10. Paula Massood, “Menace II Society” Cineaste 20, no. 2 (1993): 44-45.
11. Leonard Quart, “Spike Lee’s Clockers: A Lament for the Urban Ghetto,” Cineaste 22, no. 1 (1996): 9-11.
12. Michel Foucault, Discipline and Punish: The Birth of the Prison (New York:Vintage Books, 1979), 42-47 and 60-61.
13. René Girard, Violence and the Sacred (Baltimore: Johns Hopkins Univeristy Press, 1972), 1-38.
14. Sharon Willis, High Contrast: Race and Gender in Contemporary Hollywood Film (Durham, N.C.: Duke University Press, 1997), 131-32.
15. Gary Groth, “A Dream of Perfect Reception: The Movies of Quentin Tarantino,” in Commodify Your Dissent, ed. Thomas Frank and Matt Weiland (New York: W. W. Norton, 1997), 186.
16. Guerrero, Framing Blackness, 10.
17. Maggie Montesinos Sale, The Slumbering Volcano: American Slave Ship Revolts and the Production of Rebellious Masculinity (Durham, N.C.: Duke University Press, 1998), 84-86.
18. Richard Dyer, White (London: Routledge, 1997), 3-4.
19. Michael Andre Bernstein, “The Schindler’s List Effect,” The American Scholar 13, no. 3 (summer 1994): 429-32.
20. Ed Guerrero, “A Circus of Dreams and Lies: The Black Film Wave Reaches Middle Age,” in The New American Cinema, ed. Jon Lewis (Durham, N.C.:Duke University Press, 1998), 328-52.