Parerga and Pulchritudo adhaerens: A reading of the third moment of the "Analytic of the Beautiful"

Kant-Studien

Volumn 90, Issue 2, 1999, Pages 148-167

  Gammon, Martin ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 61249524236     PISSN: 00228877     EISSN: None     Source Type: Journal    
DOI: 10.1515/kant.1999.90.2.148     Document Type: Review

References (28)

1. Paul Guyer, "Feeling and Freedom: Kant on Aesthetics and Morality," Journal of Aesthetics and Art Criticism^ 48 (1990), pp. 137-146;
2. Michael Kraft, "The Moral Interest in Kant's Aesthetics," Zeitschrift für philosophische Forschung, 27 (1983), pp. 588-598.
3. Paul Guyer, "Nature, Art and Autonomy: A Copernican Revolution in Kant's Aesthetics," in Theorie der Subjektivität, ed. Konrad Cramer, Hans Friedrich Fulda, Rolf-Peter Horstmann & Ulrich Pothast, (Frankfurt: Suhrkamp, 1987), pp. 299-343;
4. Alfred Mundhenk, "'Die Gunst der Natur': Kants Begriff und Deutung des Naturschönen," in Deutsche Vierteljahresschrift für Literaturwissenschaften und Geistesgeschichte, 7 (1993), pp. 366-398.
5. Ted Cohen, "Why Beauty Is a Symbol of Morality," in Essays in Kant's Aesthetics, eds. Ted Cohen and Paul Guyer, (Chicago: Univ. of Chicago Press, 1982).
6. Jacques Derrida, "Parergon," in La Verite en Peinture, (Paris: Flammarion, 1978);
7. The Truth in Painting, trans. Geoff Bennington and Ian Mcleod, (Chicago: Univ. of Chicago Press, 1987).
8. Johann Joachim Winckelmann, Geschichte der Kunst des Alterthums, II, 234, in Werke, vol. IV, ed. H. Meyer & J. Schultze, (Dresden: 1811).
9. Immanuel Kant, Kritik der Urteilskraft, in Kants gesammelte Schriften, ed. Königlich Preußische Akademie der Wissenschaften, (Berlin: Reimer, 1908) vol. 5, S 14: hereafter, "Ak.."
10. The Critique of Judgment, trans. J. Meredith, (Oxford: Oxford Univ. Press, 1991), p. 68, hereafter "Mer."
11. Kant's. Critique of Pure Reason, A 347/B 406, A 848/B 876-A 849/B 877.
12. Kant [Ak. 15.1, 276-277].
13. Edward Search, The Light of Nature, vol. i, part II, (London: T. Jones, 1768), ch. 18, p. 27.
14. Arthur Warda, Immanuel Kants Bücher, (Berlin: Breslauer, 1922), p. 55.
15. Ak. 24, 811;
16. Immanuel Kant, Lectures on Logic, trans. J. Michael Young, (Cambridge: Cambridge Univ. Press, 1992), p. 270.
17. Nicolai's Anthropologie-Heft, (1775-1776),
18. Otto Schlapp, Kant's Lehre vom Genie, (Göttingen: Vandenhoek, 1901), p. 139.
19. Puttlich's Anthropologie-Heft, (1784).
20. Geoffrey Scarre, "Kant on Free and Dependent Beauty," in Journal of Aesthetics and Art Criticism, 1981, 351.
21. Ruth Lorand, "Free and Dependent Beauty: A Puzzling Issue," British Journal of Aesthetics, vol. 29.1, 1989, p. 32.
22. Donald Crawford, Kant's Aesthetic Theory, (Madison: Univ. of Wisconsin Press, 1974), p. 114.
23. Paul Crowther's, "The Claims of Perfection: A Revisionary Defense of Kant's Theory of Dependent Beauty," in International Philosophical Quarterly, 26 (1986), pp. 61-74.
24. L. W. Beck, Early German Philosophy, (Cambridge: Harvard Univ. Press, 1969), pp. 283-286.
25. "Concerning Sensory Illusion and Poetic Fiction," Ak. 15.2, 903-934;
26. Ralph Meerbote in Kant's Latin Writings, ed. L. W. Beck, (New York: Peter Lang, 1986).
27. Francis Coleman, The Harmony of Reason: A Study in Kant's Aesthetics, (Pittsburgh: Univ. of Pittsburgh Press, 1974),
28. Robert Zimmermann, "Kant: The Aesthetic Judgment," in Journal of Aesthetics and Art Criticism, 1962-1963, 333-344.