Structure of anxiety: Recent British television crime fiction

Screen

Volumn 39, Issue 3, 1998, Pages 223-243

  Brunsdon, Charlotte ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 61249481087     PISSN: 00369543     EISSN: None     Source Type: Journal    
DOI: 10.1093/screen/39.3.223     Document Type: Article

References (32)

1. A.A. Gill, 'They've dunnit to death'. The Sunday Times, 27 October 1996, p. 16.
2. James Rampton, 'Balls to the lot of them', The Independent Tabloid, 6 May 1997, p. 6.
3. Independent Television Commission, Annual Performance Review, April 1996.
4. Peter Ansorge, quoted by Maggie Brown, in 'The thick blue line', The Guardian, 29 April 1996, p. 16.
5. Philip Schlesinger and Howard Tumber, 'Fighting the war against crime: television, police and audience', British Journal of Criminology, vol. 33, no. 1 (1993), pp. 19-32, 22.
6. Alan Clarke, '"This is not the boy scouts": television police series and definitions of law and order', in T. Bennett et al. (eds), Popular Culture and Social Relations (Milton Keynes: Open University Press, 1985).
7. '"You're nicked": television police series and the fictional representation of law and order', in D. Strinati and S. Wagg (eds), Popular Media Culture (London: Routledge, 1992);
8. James Donald, 'Anxious moments: The Sweeney in 1975', in M. Alvarado and J. Stewart (eds), Made for Television: Euston Films Limited (London: British Film Institute, 1985).
9. John Corner and Sylvia Harvey (eds), Enterprise and Heritage (London: Routledge, 1991).
10. Beatrix Campbell, Goliath (London: Methuen, 1993), p. 136.
11. Diran Adebayo, 'TV cops show a false harmony', New Nation, 17 February 1997, p. 17.
12. Richard Sparks, Television and the Drama of Crime (Buckingham: The Open University Press, 1992);
13. Richard Sparks, 'Inspector Morse: "The Last Enemy"', in George Brandt (ed.), British Television Drama in the 1980s (Cambridge: Cambridge University Press, 1993).
14. Lyn Thomas, 'In love with Inspector Morse'. Feminist Review, no. 51 (1995), pp. 1-25.
15. Corner and Harvey (eds), Enterprise and Heritage.
16. Tana Wollen, 'Nostalgic screen fictions', in Corner and Harvey (eds), Enterprise and Heritage;
17. Andrew Higson, 'Re-presenting the national past', in Lester Friedman (ed.), British Cinema and Thatcherism (London: UCL, 1993);
18. Richard Dyer, 'Heritage cinema in Europe', in Ginette Vincendeau (ed.), Encyclopedia of European Cinema (London: British Film Institite/Cassell, 1995).
19. Thomas, 'In love with Inspector Morse', p. 7.
20. Sparks, 'Inspector Morse: "The Last Enemy"', p. 99.
21. Alvarado and Stewart (eds), Made for Television.
22. Yvonne Roberts, 'Tough lady with the blue lamp', The Observer, 14 April 1991, p. 55.
23. Mary Eaton, 'A fair cop? Viewing the effects of the canteen culture in Prime Suspect and Between The Lines', in David Kidd-Hewitt and Richard Osborne (eds), Crime and the Media (London: Pluto Press, 1995), pp. 164-84.
24. Chris Dunkley, 'Between the Lines', Financial Times, 16 September 1992, p. 19;
25. 'Reflections on the sleaze factor'. Financial Times, 26 October 1994, p. 21. Thanks to Tom Richmond for checking my reading of Between the Lines.
26. Jonathan Miller, 'Watching the police', Sunday Times, 20 September 1992, p. 25.
27. Ed Buscombe, 'The Sweeney - better than nothing?', Screen Education, no. 20 (1976), pp. 65-9.
28. James Saynor, 'Imagined communities', Sight and Sound, vol. 3, no. 12 (1993), pp. 11-13.
29. Mary Eaton, 'A fair cop?'; Robin Nelson, TV Drama in Transition, Forms, Values and Cultural Change (Houndmills: Macmillan Press, 1997).
30. Jim Pines, 'Black cops and black villains in film and TV crime fiction', in Kidd-Hewitt and Osborne (eds), Crime and the Media.
31. Amy Taubin, 'Sex & race & law & order', The Village Voice, 16 February 1993, p. 44.
32. Pines, 'Black cops and black villains', p. 74.