Total ellipsis: Zola, Benjamin and the dialectics of kitsch

Parallax

Volumn 2, Issue 1, 1996, Pages 101-113

  Rifkin, Adrian ^a  

^a UNIVERSITY OF LEEDS   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 61249391693     PISSN: 13534645     EISSN: 1460700X     Source Type: Journal    
DOI: 10.1080/13534649609362008     Document Type: Note

References (7)

1. Michael Miller, The Bon Marche bourgeois culture and the department store, 1869-1920/London: Allen and Unwin, 1981.
2. Rachel Bowlby, Just Looking: Consumer Culture in Dreiser, Gissing and Zola (London: Methuen, 1985).
3. Jacques Leenhardt, “Le passage comme forme d’experience: Benjamin face a Aragon”, in Passages, Walter Benjamin et Paris, ed. H. Wismann (Paris: Cerf, 1986).
4. Susan Buck-Morss, The Dialectics of Seeing-Walter Benjamin and the Arcades Project (Cambridge, MIT, 1989): 36.
5. Henri Lefebvre, Critique de la vie quotidienne 11. Fondementrd’unesoeiologiede la quotidiennete (Baris’. l’Arche, 1961).
6. Jean Baudrillard, Critique of the Political Economy of the Sign, tr. and an introduction by Charles Levin (Telos: 1981).
7. Karl Marx and Frederick Engels, On Literature and Art (Moscow: 1976), 129.