Just an image: Godard, cinema, and philosophy

Critical Quarterly

Volumn 43, Issue 3, 2001, Pages 9-31

  Landy, Marcia ^a  

^a UNIVERSITY OF PITTSBURGH   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 61249304163     PISSN: 00111562     EISSN: None     Source Type: Journal    
DOI: 10.1111/1467-8705.00370     Document Type: Review

References (27)

1. Jean-Luc Godard, Interviews, ed. David Sterritt (Jackson: University of Mississippi, 1998), 192
2. James Roy MacBean, Film and Revolution (Bloomington: Indiana University Press, 1975), 5
3. Gilles Deleuze, Cinema 2: The Time Image, trans. Hugh Tomlinson and Robert Galeta, (Minneapolis: University of Minnesota Press, 1989), 22
4. David Stratton, 'For Ever Mozart', Variety, 16 September 1996, p. 70
5. Tim Murray, 'The Crisis of Cinema in the Age of the New World Memory', The Cinema Alone: Essays on the Work of Jean-Luc Godard 1985-2000 (Amsterdam: Amsterdam University Press, 2000), 174
6. Deleuze, Cinema 2, 3
7. Duncan Petrie (ed.), Screening Europe (London: BFI, 1992), 100
8. Tom Milne, 'Jean-Luc Godard ou la Raison Ardente', Focus on Godard, ed. Royal S. Brown (Englewood Cliffs, NJ: Prentice-Hall, 1972), 123-35
9. Colin MacCabe and Laura Mulvey, Godard: Images, Sounds, Politics (Bloomington: Indiana University Press, 1980), 35
10. Petrie, Screening Europe, 100
11. Tom Milne (ed. and trans.), Godard on Godard (New York: Da Capo Press, 1986), 233
12. James Monaco, The New Wave: Truffaut, Godard, Chabrol, Rehmer, Rivette (New York: Oxford University Press, 1976), 147
13. Milne, Godard on Godard, 235
14. MacBean, Film and Revolution, 91
15. André Bazin, What Is Cinema, trans. Hugh Gray (Berkeley: University of California Press, 1972), 10
16. Jim Hillier (ed.), Cahiers du Cinéma: The 1950s, Neorealism, Hollywood, New Wave (Cambridge: Harvard University Press, 1985)
17. Tag Gallagher, The Adventures of Roberto Rossellini: His Life and Films (New York: Da Capo, 1998), 582
18. Roberto Rossellini, My Method: Writings and Interviews, trans. Annapaola Cancogni (New York: Marsilio, 1992), 140
19. Gallagher, The Adventures of Roberto Rossellini, 542-3
20. Henri Bergson, Matter and Memory, trans. Nancy Margaret Paul (New York: Zone Books, 1991), 173
21. MacCabe and Mulvey, Godard: Images, Sounds, Politics, 92
22. Glenn Myrent and Georges P. Langlois, Henry Langlois: First Citizen of Cinema, trans. Lisa Nesselson (New York: Twayne, 1995), 176
23. Guy Austin, Contemporary French Cinema: An Introduction (Manchester: Manchester University Press, 1996), 19
24. Jonathan Dronsfield, 'The Present Never Exists There', 'The Temporality of Decision in Godard's Later Film and Video Essays', in The Cinema Alone: Essays on the Work of Jean-Luc Godard, 1985-2000, ed. Michael Temple and James S. Williams (Amsterdam: Amsterdam University Press, 2000), 64
25. Fredric Jameson, The Geopolitical Aesthetic: Cinema and Space in the World System (Bloomington: Indiana University Press, 1992), 159
26. Wheeler Winston Dixon, The Films of Jean-Luc Godard (New York: State University of New York, 1997), 153
27. For a critique of 'political modernism', see D. N. Rodowick, The Crisis of Political Modernism: Criticism and Ideology in Contemporary Film Theory (Berkeley: University of California Press, 1994), 43