De-assembling vision: Conceptual strategies in Duchamp, Matta-clark, Wilson

Angelaki - Journal of the Theoretical Humanities

Volumn 7, Issue 1, 2002, Pages 95-114

  Judovitz, Dalia ^a  

^a EMORY UNIVERSITY   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 61249118442     PISSN: 0969725X     EISSN: None     Source Type: Journal    
DOI: 10.1080/09697250220142074     Document Type: Article

References (49)

1. Alain-Bois, Yves with Rosalind Krauss. "Threshole." A User's Guide to Entropy. Special issue. October no. 78 (Fall 1996).
2. Alpers, Svetlana. The Art of Describing: Dutch Art in the Seventeenth Century. Chicago: U of Chicago P, 1983.
3. Alpers, Svetlana. "The Museum as a Way of Seeing." Exhibiting Cultures: The Poetics and Politics of Museum Display. Ed. Ivan Karp and Steven D. Levine. Washington, DC: Smithsonian Institution P, 1991.
4. Archer, Michael. "Review of Richard Wilson at Matt's Gallery." Artforum no. 10 (Summer 1989).
5. Baudry, Jean-Louis. "Ideological Effects of the Basic Cinematographic Apparatus." Cinematographic Apparatus: Selected Writings. Ed. Theresa Hak Kyung Cha. New York: Tanam, 1980.
6. Baxandall, Michael. "Exhibiting Intention: Some Preconditions of Visual Display of Culturally Purposeful Objects." Exhibiting Cultures: The Poetics and Politics of Museum Display. Ed. Ivan Karp and Steven D. Levine. Washington, DC: Smithsonian Institution P, 1991.
7. Benjamin, Walter. "The Work of Art in the Age of Mechanical Reproduction." Illuminations. Ed. Hannah Arendt. Trans. Harry Zohn. New York: Schocken, 1978.
8. Blumemberg, Hans. "Light as a Metaphor for Truth: At the Preliminary Stage of a Philosophical Concept Formation." Trans. Joel Shapiro. Modernity and the Hegemony of Vision. Ed. David M. Levin. Berkeley: U of California P, 1993.
9. Bonk, Ecke. Marcel Duchamp: The Box in a Valise. Trans. David Britt. New York: Rizzoli, 1989.
10. Bourdieu, Pierre. Distinction. Trans. Richard Nice. Cambridge: Harvard UP, 1984.
11. Brusati, Celeste. Artifice and Illusion: The Art and Writing of Samuel Van Hoogstraten. Chicago: U of Chicago P, 1995.
12. Crary, Jonathan. "Modernizing Vision." Vision and Visuality. Ed. Hal Foster. Dia Foundation, Discussions in Contemporary Culture, no. 2. New York: New P, 1988.
13. Crimp, Douglas. On the Museum's Ruins.Cambridge: MIT P, 1997.
14. Dadoun, Roger. "Rrose Sschize: Sschize d'un Portrait Théorie de Marcel Duchamp en Jésus Sec Célibataire." L'Arc no. 59 (1974).
15. Danto, Arthur C. The Wake of Art: Criticism, Philosophy, and the Ends of Taste. Ed. Gregg Horowitz and Tom Huhn. Amsterdam: G+B Arts International, 1998.
16. De Duve, Thierry. Pictorial Nominalism: On Marcel Duchamp's Passage from Painting to the Readymade. Trans. D. Polan. Minneapolis: U of Minnesota P, 1991.
17. De Duve, Thierry. Kant After Duchamp. Cambridge and London: MIT P, 1996.
18. De Oliveira, Nicolas, Nicola Oxley and Michael Petry, "Preface." Installation Art: With Texts by Michael Archer. London: Smithsonian Institution P and Thames, 1994.
19. Decter, Joshua. "Splitting: Four Corners." Exhibit, Holly Solomon Gallery: New York, 20 Nov.-15 Dec. 1990. Arts Magazine no. 65 (Feb. 1991): 104-05.
20. Diserens, Corinne. "The Greene Street Years." Gordon Matta-Clark. Valencia: IVAM Centre Julio González, 1993 (exh. cat.).
21. Duchamp, Marcel. Marcel Duchamp, Notes. Trans. Paul Matisse. Preface Anne d' Harnoncourt. Boston: G.K. Hall, 1983.
22. Duchamp, Marcel. Marcel Duchamp: Étant Donnés: 1) La chute d'eau, 2) Le gaz d'éclairage. Introduction Anne d' Harnoncourt. Philadelphia: Philadelphia Museum of Art, 1987.
23. Foster, Hal. "Preface." Vision and Visuality. Ed. Hal Foster. Dia Foundation, Discussions in Contemporary Culture, no. 2. New York: New P, 1988.
24. Greenberg, Clement. "Counter Avant-Garde." Marcel Duchamp in Perspective. Ed. Joseph Masheck. Englewood Cliffs: Prentice Hall, 1975.
25. Hatton, Brian. "Anarchitect." Art Monthly no. 169 (Sept. 1993): 12-15.
26. Heidegger, Martin. "Building Dwelling Thinking." Basic Writings. Ed. David Farrell Krell. Trans. Albert Hofstadter. New York: Harperm, 1977.
27. Internationaal Cultureel Centrum. Matta-Clark. Text Florent Bex. Antwerp: Internationaal Cultureel Centrum, 1977 (exh. cat.).
28. IVAM Centre Julio González. Gordon Matta-Clark.Valencia: IVAM Centre Julio González, 1993 (exh. cat.).
29. Jay, Martin. Downcast Eyes: The Denigration of Vision in Twentieth-Century Thought. Berkeley: U of California P, 1993.
30. Judovitz, Dalia. Unpacking Duchamp: Art in Transit. Berkeley: U of California P, 1995.
31. Judovitz, Dalia. "Unpacking the House: Architectural Transformers." Art Papers 20.2 (1996): 22-25.
32. Kelly, Marry. "Re-viewing Modernist Criticism." Art After Modernism: Rethinking Representation. Ed. Brian Wallis. Foreword Marcia Tucker. New York and Boston: New Museum of Contemporary Art and David R. Goodine, 1984.
33. King, Elaine A. "Architecture/Art." The Architect's Dream: Houses for the Next Millennium. Cincinnati: Contemporary Arts Center, 1994.
34. Lee, Pamela M. Object to be Destroyed. Cambridge and London: MIT P, 2000.
35. Lyotard, François. Les transformateurs Duchamp. Paris: Galilée, 1977.
36. Merleau-Ponty, Maurice. "Eye and Mind." Trans. Carleton Dallery. The Primacy of Perception. Ed. James M. Edie. Evanston: Northwestern UP, 1964.
37. Musées de Marseilles. Gordon Matta-Clark.Marseilles: Musées de Marseilles, 1993 (exh. cat.).
38. Museum of Contemporary Art. Circus: The Caribbean Orange. Text Judith Russi Kirshner. Chicago: Museum of Contemporary Art, 1978 (exh. cat.).
39. Museum of Contemporary Art. Gordon Matta- Clark: A Retrospective. Mary Jane Jacob; with an essay by Robert Pinkus-Witten; and interviews conducted by Joan Simon. Chicago: Museum of Contemporary Art, 1985 (exh. cat.).
40. Paz, Octavio. Marcel Duchamp: Appearance Stripped Bare. Trans. R. Phillips and D. Gardner. New York: Viking, 1978.
41. Reiss, Julie H. From Margin to Center: The Spaces of Installation Art. Cambridge and London: MIT P, 1999.
42. Roberts, James. "Richard Wilson: Assembly Required." Terskel 4.9 (1993): 88-100.
43. Rosler, Martha. "Lookers, Buyers, Dealers and Makers: Thoughts on Audience." Art After Modernism: Rethinking Representation. Ed. Brian Wallis. Foreword Marcia Tucker. New York and Boston: New Museum of Contemporary Art and David R. Goodine, 1984.
44. Roth, Moira and William Roth. "John Cage on Marcel Duchamp: An Interview." Marcel Duchamp in Perspective. Ed. J. Masheck. Englewood Cliffs: Prentice Hall, 1975.
45. Tikka, Heidi. "The Space of the Gallery: Undoing the Place of the Spectator." Haunted Spaces. Ed. Eeva Kurki. Working Papers. Helsinki: University of Art and Design, 2000. 15-25.
46. Vidler, Anthony. Architectural Uncanny: Essays in the Modern Unhomely. Cambridge: MIT P, 1992.
47. Wall, Donald. "Matta-Clark's Building Dissections." Arts Magazine 50.9 (1976): 74-79.
48. Wilson, Richard. Interview with Lynne Cooke. Heatwave. Birmingham: Ikon Gallery, 1986.
49. Wilson, Richard. Interview with Steve Rushton. "By Digging you Discover." Available , 1994.