"A patsy's leap into quantum time": The work of phil young

Third Text

Volumn 13, Issue 46, 1999, Pages 39-52

  Valentino, Erin ^a  

^a UNIVERSITY OF CONNECTICUT   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 61149708769     PISSN: 09528822     EISSN: None     Source Type: Journal    
DOI: 10.1080/09528829908576778     Document Type: Article

References (18)

1. Phil Young, 'The Genuine Indian Collection: Its History and Ours', an unpublished document, 1995, np. (This was an artist's statement written as a handout for The Genuine Indian Collection installation at the Foreman Gallery, Hartwick College, and later used as a handout for an installation of The Genuine Indian Trading Post and Burial Site at the Kohler Arts Center.)
2. Jean Fisher, 'In Search of the Inauthentic', in Art Journal 51:3, Fall 1992, p 45
3. 'We, the Human Beings': 27 Contemporary Native American Artists', The College of Wooster Art Museum, Wooster, Ohio, 1992
4. 'Decolonizing the Mind', 'Our Land/Ourselves: American Indian Contemporary Artists', University Art Gallery, State University of New York at Albany, 1990
5. 'The Submuloc Show/Columbus Wohs', ATLATL, Phoenix, 1992
6. 'For the Seventh Generation: Native American Artists Counter the Quincentennial', Golden Artists Colors, Columbus, New York, 1992. This was the first town to have that name in the United States
7. Phil Young, response to Alan Gussow for 'Rediscovering the Americas', 1996
8. Judith R Berzon, Neither White Nor Black: the Mulatto Character in American Fiction, New York University Press, New York, 1978, p 4
9. Franchise Lionnet, Autobiographical Voices: Race, Gender, Self-Portraiture, Cornell University Press, Ithaca and London, 1989, p 9
10. Kay WalkingStick, 'Democracy, Inc.', in Artforum 30, November 1991: "...there seems to be no consistent rule for tribal membership among the hundreds of tribes in the United States. The conditions of membership are decided by each sovereign tribal nation", p 21
11. Greta Gaard, 'Identity Politics as a Comparative Poetics', in Borderwork: Feminist Engagements with Comparative Literature, Cornell University Press, Ithaca and London, 1994, pp 231-2
12. Stacey Young, 'Dichotomies and Displacement: Bisexuality in Queer Theory and Politics', in Shane Phelan (ed), Playing With Fire: queer politics, queer theories, Routledge, New York and London, 1997, p 53
13. W Jackson Rushing, 'Critical Issues in Recent Native American Art', in Art Journal 51:3, Fall 1992, p 6
14. Joseph Traugott, 'Native American Artist and the Postmodern Cultural Divide', in Art journal 51:3, Fall 1992, p 37
15. Lawrence Paul Yuxweluptun, 'Inherent Rights, Vision Rights', in Mary Anne Moser (ed), Immersed in Technology: Art and Virtual Environments, MIT Press, Cambridge, Mass., and London, 1996, p 315
16. Department of the Interior, Indian Arts and Crafts Board, 'Protection for Products of Indian Art and Craftsmanship', in Federal Register 61:204 (October 21, 1996), pp 54552-54556
17. 'Humanitask', artist's statement for installation Cowboys and Indians, I. 'Street Play' exhibition at Tribeca 148 Gallery, New York, May 1-21,1993
18. Francis Frascina, 'Realism and Ideology: an Introduction to Semiotics and Cubism', in Primitivism, Cubism, Abstraction: The Early Twentieth Century, Yale University Press, New Haven and London, 1993, p 122