The aesthetic experience

British Journal of Aesthetics

Volumn 43, Issue 2, 2003, Pages 158-174

  Matravers, Derek ^a  

^a OPEN UNIVERSITY   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 61149641378     PISSN: 00070904     EISSN: None     Source Type: Journal    
DOI: 10.1093/bjaesthetics/43.2.158     Document Type: Article

References (19)

1. Richard Wollheim, Painting as an Art (London: Thames & I Iudson, 1987), pp. 98-100.
2. Gilbert Ryle, 'Pleasure', in D. F. Gustafson (eds), Essays in Philosophical Pyschology (London: Macmillan, 1954), pp. 195-205.
3. Jerrold Levinson, 'Pleasure and the Value of Works of Art', in The Pleasures of Aesthetics (Ithaca, NY: Cornell U.P., 1992), pp. 11-24 at p. '4-
4. Immanuel Kant, The Critique of Judgement, trans. W. S. Pluhar (Indianapolis, IN: Ilackett, 1987), 5.
5. Monroe C. Beardsley, 'Aesthetic Experience,' in The Aesthetic Point of View: Selected Essays, ed. Michael J. Wreen and Donald M. Callen (Ithaca, NY: Cornell U.P., 1982), pp. 285-297 at p. 297.
6. Although this paper does engage with the concerns expressed in two papers in this journal recently on the topic of aesthetic experience: Gary Kemp, 'The Aesthetic Attitude', British Journal of Aesthetics, vol. 39 (October 1999), pp. 392-399;
7. Noel Carroll, 'Art and the Domain of the Aesthetic', British Journal of Aesthetics, vol. 40 (April 2000), pp. 191-208.
8. Malcolm Budd, Values of Art: Pictures, Poetry, Music (Harmondsworth: Penguin, 1995), pp. 4-8.
9. Malcolm Budd, 'The Aesthetic Appreciation of Nature', British Journal of Aesthetics, vol. 36 (July 1996), pp. 207-222 at p. 215.
10. Beardsley, 'Aesthetic Experience', pp. 285-297 at pp. 288-289.
11. A. Savile, Tile Test of Time: An Essay in Philosophical Aesthetics (Oxford: Clarendon Press, 1982), p. 169.
12. Savile, Test of Time, p. 309.
13. Kant, Critique of Judgement. 12.
14. Budd, Values of Art, p. 7.
15. Noel Annan, The Dons (Hammersmith: Harper Collins, 1999), p. 4.
16. More could be said on whether art gives us a psychologically necessary illusion in a world that basically is not rational, good, and commensurate with us: Friedrich Nietzsche, 'The Birth of Tragedy,' in Basic Writings of Nietzsche, ed, Walter Kaufmann (New York: The Modern Library, 1886), pp. r4-144.
17. Richard Wollheim, Art and Its Objects (Cambridge: Cambridge U.P., 1980), p. 43.
18. Aaron Ridley, 'The Philosophy of Medium Grade Art', British Journal of Aesthetics, vol. 36 (October 1996), pp. 413-423.
19. Joel J. Kupperman, 'Art and Aesthetic Experience', British Journal of Aesthetics, vol. 15 (1975), pp. 29-39.