Reinhabiting 'the cherry orchard': Class and history in performing Chekhov

New Theatre Quarterly

Volumn 13, Issue 4, 1997, Pages 318-328

  Tulloch, John ^a   Burvill, Tom ^b   Hood, Andrew ^c  

^a CHARLES STURT UNIVERSITY   (Australia)

^b MACQUARIE UNIVERSITY   (Australia)

^c NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 61149568197     PISSN: 0266464X     EISSN: None     Source Type: Journal    
DOI: None     Document Type: Article

References (11)

1. 'Adrian Noble talks with Peter Holland', In Conversation: Explorations on the Stratford Season, 1995-96, RSC, 24 January 1996. All other quotations from Noble are from this interview, except where referenced.
2. Trevor Griffiths, trans., The Cherry Orchard, in a New English Version(London: Pluto, 1981), p. v.
3. J. Tulloch and T. Burvill, 'Chekhov: in Criticism, Performance, and Reading', Australian Research Council Large Grant, 1993-96. Currently this is being written up for a book.
4. David Mamet, quoted in The Cherry Orchard programme, New Theatre, 9 November-21 December 1996.
5. Mary-Anne Gifford, 'Director's Note', New Theatre programme.
6. See Anna Seymour, 'Culture and Political Change: British Radical Theatre in Recent History', Theatre International Research, V, No. 21 (1996), p. 11.
7. Stanton B. Garner, Jr., 'History in the Year Two: Trevor Griffiths's Danton', New Theatre Quarterly, XI, No. 44 (1995), p. 335.
8. Trevor Griffiths, quoted in Desmond Christy, 'Back to the Barricades', The Guardian, 28 April 1986.
9. See Mike Poole and John Wyver, Powerplays: Trevor Griffiths in Television (London: BFI, 1984), p. 13-15.
10. J. Tulloch, T. Burvill, and A. Hood, 'Receptions and Appropriations: The Cherry Orchard in Production and Criticism', in D. Clayton, ed., Chekhov Then and Now: the Reception of Chekhov in World Culture (Ottawa: Peter Lang, forthcoming), p. 63-75.
11. Ronnie Mulryne and Margaret Shewring, Making Space for Theatre: British Architecture and Theatre since 1958 (Stratford: Mulryne and Shewring, 1995), p. 168.