On being a Professor of Pop

Popular Music and Society

Volumn 21, Issue 1, 1997, Pages 43-52

  Goodwin, Andrew ^a  

^a UNIVERSITY OF SAN FRANCISCO   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 61149489442     PISSN: 03007766     EISSN: None     Source Type: Journal    
DOI: 10.1080/03007769708591653     Document Type: Article

References (16)

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4. Fish, Stanley. Professional Correctness: Literary Studies and Political Change. New York: Oxford UP, 1995
5. Frith, Simon, and Jon Savage. "Pearls and Swine: Intellectuals and the Mass Media." New Left Review 198 (Mar./ Apr. 1993): 107-16
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8. Goodwin, Andrew, and Joe Gore. "World Beat and the Debate About Cultural Imperialism." Socialist Review 20.3 (1990): 63-80
9. Rpt. as "World Beat and the Cultural Imperialism Debate." Sounding Off! Music as Subversion/Resistance/Revolution. Ed. Ron Sakolsky and Fred Wei-Han Ho. New York: Autonomedia, 1995. 121-31
10. Jensen, Joli. "Fandom as Pathology: The Consequences of Characterization." The Adoring Audience: Fan Culture and Popular Media. Ed. Lisa A. Lewis. New York: Routledge, 1992. 9-29
11. Lipsitz, George. Dangerous Crossroads: Popular Music, Postmodernism and the Poetics of Place. London: Verso, 1994
12. Mazurek, Raymond A. "Class, Composition, and Reform in Departments of English: A Personal Account." This Fine Place So Far from Home: Voices of Academics from the Working Class. Ed. C. L. Barney Dews and Carolyn Leste Law. Philadelphia: Temple UP, 1995. 249-62
13. Phillips, Adam. Terrors and Experts. Cambridge: Harvard UP, 1996
14. Roth, Michael S. "On the Limits of Critical Thinking." Tikkun 11.1 (1986): 85-86
15. Walser, Robert. Running with the Devil: Power, Gender, and Madness in Heavy Metal Music. Hanover, NH: Wesleyan UP/UP of New England, 1993
16. Weinstein, Deena. Heavy Metal: A Cultural Sociology. New York: Macmillan, 1991