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Volumn 7, Issue 21, 1996, Pages 247-258

Pépé le Moko or the impossibility of being French in the 1930s

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EID: 61149449607     PISSN: 09571558     EISSN: 17402352     Source Type: Journal    
DOI: 10.1177/095715589600702102     Document Type: Article
Times cited : (5)

References (27)
  • 1
    • 79954845289 scopus 로고    scopus 로고
    • The film will hereafter be referred to as PLM. Quotations from it will be accompanied in the text by a page reference for the Avant-Scène du cinéma version of the script (No. 269, June 1981)
    • The film will hereafter be referred to as PLM. Quotations from it will be accompanied in the text by a page reference for the Avant-Scène du cinéma version of the script (No. 269, June 1981).
  • 3
    • 0003118744 scopus 로고
    • Problems in current theories of colonial discourse
    • p. 53
    • Parry, B., 'Problems in current theories of colonial discourse', in Oxford Literary Review, Vol. 9, Nos 1-2 (1987), 27-58, p. 53.
    • (1987) Oxford Literary Review , vol.9 , Issue.1-2 , pp. 27-58
    • Parry, B.1
  • 5
    • 79954874375 scopus 로고
    • Ithaca, NY: Cornell
    • Herman Lebovics refers to the 'often herculean labors of imperialist campaigners to get the metropolitan population to go along with ... accepting their destinies as an imperial people'. In True France, the Wars over Cultural Identity, 1900-1945 (Ithaca, NY: Cornell, 1992), 54.
    • (1992) In True France, the Wars over Cultural Identity, 1900-1945 , pp. 54
  • 9
    • 0040790644 scopus 로고    scopus 로고
    • Lebovics, Chapter 5
    • See Lebovics, True France, Chapter 5.
    • True France
  • 12
    • 62649089825 scopus 로고    scopus 로고
    • L'Empire et ses mythes
    • Bancel, N., et al.
    • Albert Sarraut, minister for the colonies, cit. Ageron, C.-R., 'L'Empire et ses mythes', in Bancel, N., et al., Images et Colonies (1880-1962), BDIC - ACHAC, 98-110, p. 99.
    • Images et Colonies (1880-1962) , pp. 98-110
    • Ageron, C.-R.1
  • 16
    • 79954874374 scopus 로고    scopus 로고
    • Le fait colonial apparaît ainsi pour le vieil Occident fatigué, plein d'empires morts et de républiques malades comme la promesse d'une rénovation
    • Raoul Girardet encapsulates thus this role-reversal: 'Le fait colonial apparaît ainsi pour le vieil Occident fatigué, plein "d'empires morts et de républiques malades" comme la promesse d'une rénovation.' L'Idée coloniale en France, 269.
    • L'Idée Coloniale en France , pp. 269
    • Girardet, R.1
  • 17
    • 0003564209 scopus 로고
    • Cambridge, MA: MIT Press
    • K. Ross, Fast Cars, Clean Bodies; Decolonization and the Reordering of French Culture (Cambridge, MA: MIT Press, 1995), 4. Ross identifies further related tensions arising from, 'a whole set of economic contradictions - those of an exploiter / exploited, dominator / dominated country, exploiting colonial populations and dominated by American capital' (p. 149).
    • (1995) Fast Cars, Clean Bodies; Decolonization and the Reordering of French Culture , pp. 4
    • Ross, K.1
  • 18
    • 70450180173 scopus 로고
    • in Screen, Nov.-Dec.
    • Ginette Vincendeau's article, 'Community, nostalgia and the spectacle of masculinity,' (pp. 18-38 in Screen, Nov.-Dec. 1985) helped me identify these three areas (as its title shows), although my analysis has a different starting point and leads in different directions.
    • (1985) Community, Nostalgia and the Spectacle of Masculinity , pp. 18-38
    • Vincendeau, G.1
  • 22
    • 79954748963 scopus 로고    scopus 로고
    • The film's politics would clearly repay further analysis, but in this paper I will limit myself to noting the reasons why national community cannot be established rather than seeking to situate the vision of community more precisely on the political map
    • The film's politics would clearly repay further analysis, but in this paper I will limit myself to noting the reasons why national community cannot be established rather than seeking to situate the vision of community more precisely on the political map.
  • 23
    • 79951936324 scopus 로고
    • Paris - Province
    • Conflits et partages Paris: Gallimard, p. 802
    • The capital was, according to Alain Corbin, 'le seul théâtre du sacre de la modernité'. He adds, 'faire le voyage de Paris, c'est aller à la rencontre de la terre entière.' ('Paris - Province', in Nora, P., ed., Les Lieux de mémoire III: les France; I, Conflits et partages (Paris: Gallimard, 1992), 776-823, p. 802).
    • (1992) Les Lieux de Mémoire III: Les France; , vol.1 , pp. 776-823
    • Nora, P.1
  • 25
    • 11544285876 scopus 로고
    • Giraudoux, J. cit, Syros
    • Giraudoux, J. cit., Liauzu, C., in Race et civilisation (Syros, 1992), 358.
    • (1992) Race et Civilisation , pp. 358
    • Liauzu, C.1
  • 27
    • 33750851015 scopus 로고
    • Sadoul, cit., Paris: Seghers
    • Georges Sadoul writes, 'Scarface essayant joyeusement ses mitraillettes, était une force conquérante et sauvage. Pépé est à l'avance un vaincu. Non par la police qui le traque ... mais par lui-même' (Sadoul, cit. Boulanger, P. in Le Cinéma colonial, (Paris: Seghers, 1975), 130).
    • (1975) Le Cinéma Colonial , pp. 130
    • Boulanger, P.1


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