Taryn Simon and the Innocents project

Crime, Media, Culture

Volumn 3, Issue 2, 2007, Pages 175-191

  Courtney, David ^a   Lyng, Stephen ^b  

^a FLORIDA ATLANTIC UNIVERSITY   (United States)

^b CARTHAGE COLLEGE   (United States)

Author keywords

Appearances; Art photography; Mugshots; Photographic seeing; Political art

Indexed keywords

EID: 61149373110     PISSN: 17416590     EISSN: 17416604     Source Type: Journal    
DOI: 10.1177/1741659007078542     Document Type: Review

References (17)

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2. Bazin, Andre (1972) ' The Ontology of the Photographic Image ', in James B. Hall and Barry Ulanov (eds) Modern Culture and the Arts, pp. 423-9. New York: McGraw-Hill
3. Benjamin, Walter (1999) ' The Author as Producer ', (trans. E. Jephcon) in Walter Benjamin: Selected Writings, Vol. 2 (1927-1934). 768-82. Cambridge, MA: Belknap
4. Boime, Albert (1987) Art in the Age of Revolution: 1750-1800. Chicago: University of Chicago Press
5. Courtney, David (2005) ' Edgework and the Aesthetic Paradigm: Resonances and High Hopes ', in Stephen Lyng (ed.) Edgework: The Sociology of Risk-taking, pp. 89-115. New York: Routledge
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12. Loftus, Elizabeth (1984) Eyewitness Testimony: Psychological Perspectives. Cambridge: Cambridge University Press
13. Marcuse, Herbert (1978) The Aesthetic Dimension: Toward a Critique of Marxist Aesthetics. Boston, MA: Beacon
14. Marcuse, Herbert (1991) One-Dimensional Man. Boston, MA: Beacon
15. Martin, Robert M. (1989) The Meaning of Language. Cambridge, MA: MIT Press
16. Simon, Taryn (2003) The Innocents. New York: Umbrage Edition Books
17. Sontag, Susan (1977) On Photography. New York: Picador