-
2
-
-
79954129871
-
-
Cologne: Feedback Papers Studio Verlag
-
Ausländer, Peter, and Johannes Fritsch, eds. Weltmusik. Cologne: Feedback Papers Studio Verlag 1981.
-
(1981)
Weltmusik
-
-
Ausländer, P.1
Fritsch, J.2
-
3
-
-
63549128352
-
Negotiating cultural allies: American music in darmstadt, 1946-56
-
Beal, Amy C. 'Negotiating Cultural Allies: American Music in Darmstadt, 1946-56', Journal of the American Musicological Society 53 (2000), 105-39.
-
(2000)
Journal of the American Musicological Society
, vol.53
, pp. 105-139
-
-
Beal, A.C.1
-
10
-
-
61449441091
-
Commitment or abrogation? Avant-garde music and jean-paul sartre's idea of committed art
-
Carroll, Mark. 'Commitment or Abrogation? Avant-garde Music and Jean-Paul Sartre's Idea of Committed Art', Music & Letters 83 (2002), 590-606.
-
(2002)
Music & Letters
, vol.83
, pp. 590-606
-
-
Carroll, M.1
-
11
-
-
79954595523
-
Maderna, bruno
-
ed. L. Macy accessed 16 May 2004
-
Dalmonte, Rossana. 'Maderna, Bruno', Grove Music Online, ed. L. Macy http://www.grovemusic.com, accessed 16 May 2004.
-
Grove Music Online
-
-
Dalmonte, R.1
-
13
-
-
60949818787
-
Unheard-of: Music as performance and the reception of the new
-
Dusman, Linda. 'Unheard-of: Music as Performance and the Reception of the New', Perspectives of New Music 32 (1994), 131-45.
-
(1994)
Perspectives of New Music
, vol.32
, pp. 131-145
-
-
Dusman, L.1
-
14
-
-
79954574925
-
Darmstadt and the modernist myth
-
(URL for article: http://www.hud.ac.uk/schools/music+humanities /music/newmusic/Darmstadt-myth.html), accessed 14 February 2003
-
Fox, Christopher. 'Darmstadt and the Modernist Myth', New Music http://www.hud.ac.uk/ newmusic.html, (URL for article: http://www.hud.ac.uk/ schools/music+humanities/music/newmusic/Darmstadt-myth.html), accessed 14 February 2003.
-
New Music
-
-
Fox, C.1
-
15
-
-
84979056248
-
-
Oxford: Oxford University Press
-
Glock, William. Notes in Advance. Oxford: Oxford University Press, 1991.
-
(1991)
Notes in Advance
-
-
Glock, W.1
-
18
-
-
79954313374
-
Kopien ohne Vorbild: Kagel und die Ästhetik des Apokryphen
-
Heile, Björn. 'Kopien ohne Vorbild: Kagel und die Ästhetik des Apokryphen', Neue Zeitschrift für Musik 162 (2001), 10-15.
-
(2001)
Neue Zeitschrift für Musik
, vol.162
, pp. 10-15
-
-
Heile, B.1
-
20
-
-
79954198910
-
Collage vs compositional control: The interdependency of modernist and postmodernist approaches in the work of mauricio kagel
-
ed. Joseph Auner and Judy Lochhead. New York: Routledge
-
-. 'Collage vs Compositional Control: the Interdependency of Modernist and Postmodernist Approaches in the Work of Mauricio Kagel', in Postmodern Music/Postmodern Thought, ed. Joseph Auner and Judy Lochhead. New York: Routledge, 2002. 287-99.
-
(2002)
Postmodern Music/Postmodern Thought
, pp. 287-299
-
-
Heile, B.1
-
21
-
-
79954621745
-
Kagel Bachtin und eine dialogische Theorie musikalischer Intertextualität
-
ed. Ludwig Holtmeier, Michael Polth and Felix Diergarten. Augsburg: Wißner, 2004
-
-. 'Kagel, Bachtin und eine dialogische Theorie musikalischer Intertextualität', in Musiktheorie zwischen Historie und Systematik: Vorträge des 1. Kongreß der deutschen Gesellschaft für Musiktheorie, Dresden 2001, ed. Ludwig Holtmeier, Michael Polth and Felix Diergarten. Augsburg: Wißner, 2004. 62-9.
-
(2001)
Musiktheorie Zwischen Historie und Systematik: Vorträge des 1. Kongreß der Deutschen Gesellschaft für Musiktheorie, Dresden
, pp. 62-69
-
-
Heile, B.1
-
22
-
-
79954576166
-
A reply to dai griffiths "genre: Grammar schoolboy music"
-
Johnson, Julian. 'A Reply to Dai Griffiths' "Genre: Grammar Schoolboy Music" ', Critical Musicology Newsletter 4 (1996), n. p.
-
(1996)
Critical Musicology Newsletter
, vol.4
-
-
Johnson, J.1
-
23
-
-
79954569042
-
John Cage en Darmstadt 1958
-
ed. Gianmario Borio and Hermann Danuser Originally published in Buenos Aires Musical, 16 October
-
Kagel, Mauricio. 'John Cage en Darmstadt 1958', in Im Zenit der Moderne, ed. Gianmario Borio and Hermann Danuser, vol. 3, 4834. Originally published in Buenos Aires Musical, 16 October 1958.
-
(1958)
Im Zenit der Moderne
, vol.3
, pp. 4834
-
-
Kagel, M.1
-
24
-
-
79954610338
-
-
ed. Felix Schmidt. Munich: Piper First published in a programme book, Zurich 1968
-
-. 'Über J. C.', in Tamtam: Monologe und Dialoge zur Musik, ed. Felix Schmidt. Munich: Piper, 1975. 87-9. First published in a programme book, Zurich, 1968.
-
(1975)
Tamtam: Monologe und Dialoge Zur Musik
, pp. 87-89
-
-
Kagel, M.1
Über, J.C.2
-
25
-
-
79954606947
-
Aus USA
-
104-116 Translated into English as 'From the USA', Twentieth-Century Music USA
-
-. 'Aus USA', in Tamtam: Monologe und Dialoge zur Musik. 104-16. Translated into English as 'From the USA', Twentieth-Century Music 3 (USA, 1996), 16-19.
-
(1996)
Tamtam: Monologe und Dialoge Zur Musik.
, vol.3
, pp. 16-19
-
-
Kagel, M.1
Über, J.C.2
-
26
-
-
79954581697
-
National frontiers in music
-
Keller, Hans, 'National Frontiers in Music', Tempo 33 (1954), 23-30.
-
(1954)
Tempo
, vol.33
, pp. 23-30
-
-
Keller, H.1
-
27
-
-
79954620058
-
The World around Britain
-
-. 'The World around Britain', Tempo 66-7 (1963), 32.
-
(1963)
Tempo
, vol.66
, Issue.7
, pp. 32
-
-
Keller, H.1
-
30
-
-
84919774094
-
-
New York: Oxford University Press
-
Lerdahl, Fred. Tonal Pitch Space. New York: Oxford University Press, 2001.
-
(2001)
Tonal Pitch Space
-
-
Lerdahl, F.1
-
32
-
-
62149118290
-
Terminal prestige: The case of avant-garde musical composition
-
McClary, Susan. 'Terminal Prestige: the Case of Avant-garde Musical Composition', Cultural Critique 12 (1989), 57-81.
-
(1989)
Cultural Critique
, vol.12
, pp. 57-81
-
-
McClary, S.1
-
34
-
-
79954592507
-
Reply to hans keller's "national frontiers in music"
-
Newman, Ernest. 'Reply to Hans Keller's "National Frontiers in Music" ', Tempo 34 (1954-5), 27-8.
-
(1954)
Tempo
, vol.34
, pp. 27-28
-
-
Newman, E.1
-
36
-
-
84974380147
-
Getting rid of the glue: The music of the new york school
-
-. 'Getting Rid of the Glue: the Music of the New York School', Journal of American Studies 27 (1993), 335-53.
-
(1993)
Journal of American Studies
, vol.27
, pp. 335-53
-
-
Nicholls, D.1
-
37
-
-
60949592993
-
Transethnicism and the american experimental tradition
-
-. 'Transethnicism and the American Experimental Tradition', The Musical Quarterly 80 (1996), 569-94.
-
(1996)
The Musical Quarterly
, vol.80
, pp. 569-594
-
-
Nicholls, D.1
-
38
-
-
0011225475
-
-
Cambridge: Cambridge University Press First published 1974
-
Nyman, Michael. Experimental Music: Cage and Beyond. Cambridge: Cambridge University Press, 1999. First published 1974.
-
(1999)
Experimental Music: Cage and beyond
-
-
Nyman, M.1
-
39
-
-
79954570577
-
Internationalism and the Avant-garde 1945-62
-
ed. Nicholas Cook and Anthony Pople. Cambridge: Cambridge University Press
-
Osmond-Smith, David. 'Internationalism and the Avant-garde 1945-62', in The Cambridge History of Twentieth-Century Music, ed. Nicholas Cook and Anthony Pople. Cambridge: Cambridge University Press, 2004. 336-63.
-
(2004)
The Cambridge History of Twentieth-Century Music
, pp. 336-363
-
-
Osmond-Smith, D.1
-
41
-
-
79954618808
-
The I.S.C.M. Festival at baden-baden
-
Reizenstein, Franz. 'The I.S.C.M. Festival at Baden-Baden', Tempo 39 (1955), 8-9.
-
(1955)
Tempo
, vol.39
, pp. 8-9
-
-
Reizenstein, F.1
-
42
-
-
79954572718
-
Carlisle floyd's wuthering heights
-
Sabin, Robert. 'Carlisle Floyd's Wuthering Heights', Tempo 59 (1961), 23-6.
-
(1961)
Tempo
, vol.59
, pp. 23-26
-
-
Sabin, R.1
-
45
-
-
61149140962
-
The myth of empirical historiography: A response to joseph N. Straus
-
Shreffler, Anne C. 'The Myth of Empirical Historiography: a Response to Joseph N. Straus', The Musical Quarterly 84 (2000), 30-39.
-
(2000)
The Musical Quarterly
, vol.84
, pp. 30-39
-
-
Shreffler, A.C.1
-
50
-
-
61049415092
-
The myth of "serial tyranny" in the 1950s and 1960s
-
Straus, Joseph N. 'The Myth of "Serial Tyranny" in the 1950s and 1960s', The Musical Quarterly 83 (1999), 301-43.
-
(1999)
The Musical Quarterly
, vol.83
, pp. 301-343
-
-
Straus, J.N.1
-
51
-
-
0039617710
-
The challenge of contemporary music
-
Minneapolis: University of Minnesota Press
-
Subotnik, Rose Rosengard. 'The Challenge of Contemporary Music', in Developing Variations: Style and Ideology in Western Music. Minneapolis: University of Minnesota Press, 1991. 265-93.
-
(1991)
Developing Variations: Style and Ideology in Western Music
, pp. 265-293
-
-
Subotnik, R.R.1
-
52
-
-
63549135127
-
Does nature call the tune?
-
18 September
-
Taruskin, Richard. 'Does Nature Call the Tune?', New York Times, 18 September 1994.
-
(1994)
New York Times
-
-
Taruskin, R.1
-
54
-
-
79954626328
-
A note on tcherepnin's fourth symphony
-
Truscott, Harold. 'A Note on Tcherepnin's Fourth Symphony', Tempo 57 (1961), 28-30.
-
(1961)
Tempo
, vol.57
, pp. 28-30
-
-
Truscott, H.1
-
55
-
-
79954605410
-
The italian avant-garde and national tradition
-
Waterhouse, John C. G. 'The Italian Avant-garde and National Tradition', Tempo 68 (1964), 24-5.
-
(1964)
Tempo
, vol.68
, pp. 24-25
-
-
Waterhouse, J.C.G.1
|