Mad for it!: Philistinism, the everyday and the New British Art

Third Text

Volumn 10, Issue 35, 1996, Pages 29-42

  Roberts, John ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 61149296290     PISSN: 09528822     EISSN: None     Source Type: Journal    
DOI: 10.1080/09528829608576608     Document Type: Article

References (6)

1. Patricia Bickers, The Brit Pack Contemporary British, The View from Abroad, Cornerhouse Communiqué No 7, Manchester, 1995.
2. For an extended discussion of the philistine, see Dave Beech and John Roberts, 'Spectres of the Aesthetic', New Left Review, No 218, 1996.
3. See, for example, John Stezaker, Fragments, Photographers' Gallery, London, 1978.
4. See Steve Edwards, 'The Machines Dialogue', Oxford Art Journal, vol 3 no 1, 1990.
5. See John Roberts, The Art of Interruption: Realism, Photography and the Everyday, Manchester University Press, forthcoming, 1997.
6. Sean Cubitt, 'Laurie Anderson: Myth, Management and Platitude', in John Roberts (ed), Art Has No History! The Making and Unmaking of Modern Art, Verso, London, 1994, p 295.