Between truth and triviality

British Journal of Aesthetics

Volumn 43, Issue 3, 2003, Pages 224-237

  Gibson, John ^a  

^a TEMPLE UNIVERSITY   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 61149177198     PISSN: 00070904     EISSN: None     Source Type: Journal    
DOI: 10.1093/bjaesthetics/43.3.224     Document Type: Article

References (9)

1. Arthur Danto, 'The Art World', Journal of Philosophy, vol, 61 (1964), p. 571.
2. For an interesting discussion of this, see Christopher Gill, 'Did Chrysippus Understand Medea', Phronesis, vol. 28 (1983), pp. 136-149.
3. Martha Nusshaum, The Fragility of Goodness: Luck and Ethics in Greek Tragedy and Philosophy (Cambridge: Cambridge U.P., 19S6), p. 419.
4. Peter Lamarque and Stein Haugom Olsen, Truth, Fiction and Literature (Oxford: Clarendon Press, 1996), pp. 408-409.
5. Gordon Graham, 'Learning from Art', British Journal of Aesthetics, vol. 35 (1995), pp. 26-37 at P. 196
6. Terence Diffey, 'What Can We Learn from Art?', Australasian Journal of Philosophy, vol, 73 (1995), pp. 204-211 at p. 208.
7. Stanley Cavell, Must We Mean What We Say? A Book of Essays (Cambridge: Cambridge U.P., 1976), p. 263.
8. This is a point Cavell's critics often fail to appreciate. His clearest statement of it can he found in In Quest of the Ordinary: Lines of Skepticism and Romanticism (Chicago, IL: University of Chicago Press, 1988).
9. Harold Bloom, Shakespeare: The Invention of the Human (New York: Riverhcad Books, 1998), p. 473,