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Volumn 54, Issue 3, 2001, Pages 130-139

Technology, place, and the nonmodern thesis

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EID: 61049484618     PISSN: 10464883     EISSN: None     Source Type: Journal    
DOI: 10.1162/10464880152632442     Document Type: Review
Times cited : (12)

References (32)
  • 2
    • 0003979157 scopus 로고    scopus 로고
    • Boston: Allen & Unwin
    • John Agnew, Place and Politics (Boston: Allen & Unwin, 1987), p. 62.
    • (1987) Place and Politics , pp. 62
    • Agnew, J.1
  • 3
    • 0002850192 scopus 로고
    • Representing Space: Space, Scale and Culture in Social Science
    • New York: Routledge
    • Agnew also discusses the theme of the historic devaluation of place in "Representing Space: Space, Scale and Culture in Social Science," in James Duncan and David Ley, eds., Place/Culture/Representation (New York: Routledge, 1993), pp. 251-271. Although Agnew interrogates the concept of place, I use the term region interchangeably in this text. Place and region do not mean the same thing, but for the purpose of this discussion I conflate them.
    • (1993) Place/Culture/Representation , pp. 251-271
    • Duncan, J.1    Ley, D.2
  • 4
    • 84870089227 scopus 로고    scopus 로고
    • Nationwide Drop in Murders Is Reaching to Small Towns
    • May 9, Available at
    • For example, crime statistics reveal that the murder rate in New York City is dramatically less than that of rural Arkansas. See Box Butterfield, "Nationwide Drop in Murders Is Reaching to Small Towns," in New York Times, May 9, 2000. Available at http://archives.nytimes.com/archives/.
    • (2000) New York Times
    • Butterfield, B.1
  • 5
    • 0004136440 scopus 로고
    • New York: Harper
    • Although Max Weber is commonly credited with the coinage of these terms, they belong to Ferdinand Tonnies who first used them in 1887. See Ferdinand Tonnies, Community and Society (New York: Harper, 1963).
    • (1963) Community and Society
    • Tonnies, F.1
  • 8
    • 0008136205 scopus 로고
    • Anna Bramwell, for example, has argued that German anti-Semitism arises from the doctrines of environmental determinism. To generalize that all Germans share a genius that originates in the forest and that wandering Jews share a rootlessness that originates in the desert is a classic example of determinist, reductivist logic. See Anna Bramwell, Blood and Soil: Richard Walter Darre and Hitler's Green Party (Abbotsbrook: Kensal House, 1985).
    • (1985) Blood and Soil: Richard Walter Darre and Hitler's Green Party
    • Bramwell, A.1
  • 12
    • 0003350939 scopus 로고
    • Retrieving Sociotechnical Change From Technological Determinism
    • Merritt Roe Smith and Leo Marx, eds, Cambridge, MA: MIT Press
    • Thomas Misa, "Retrieving Sociotechnical Change From Technological Determinism," in Merritt Roe Smith and Leo Marx, eds. Does Technology Drive History? (Cambridge, MA: MIT Press, 1995), pp. 115-142.
    • (1995) Does Technology Drive History , pp. 115-142
    • Misa, T.1
  • 14
    • 0001966932 scopus 로고
    • Art as Technique
    • L.T. Lemon and M. Reis, eds. Lincoln, NB: University of Nebraska Press
    • The authors credit the term "defamiliarization" to Victor Schlovsky, a member of the Russian Formalists, who coined the term around the time of the Bolshevik Revolution. See also Victor Schlovsky, "Art as Technique," in L.T. Lemon and M. Reis, eds., Russian Formalist Critique (Lincoln, NB: University of Nebraska Press, 1965).
    • (1965) Russian Formalist Critique
    • Schlovsky, V.1
  • 15
    • 80054159809 scopus 로고
    • Three Faces of Technological Determinism
    • L.T. Lemon and M. Reis, eds. Lincoln, NB: University of Nebraska Press
    • Reductive, materialist definitions of technology tend to be less sophisticated in their understanding of the social construction of artifacts. However, Bruce Bimber's essay "Three Faces of Technological Determinism," in L.T. Lemon and M. Reis, eds., Russian Formalist Critique (Lincoln, NB: University of Nebraska Press, 1965) develops a very scholarly, yet reductive, definition of technology as limited to apparatus. Bimber's project, however, leads to other ontological problems beyond the scope of this study.
    • (1965) Russian Formalist Critique
    • Bimber, B.1
  • 16
    • 0004571696 scopus 로고    scopus 로고
    • Technology and the politics of sustainability at blueprint demonstration farm
    • September
    • I have discussed the various traditions within science and technology studies elsewhere in greater detail. See Steven A. Moore, "Technology and the politics of sustainability at blueprint demonstration farm," in Journal of Architectural Education, 51/1 (September 1997): pp. 23-25
    • (1997) Journal of Architectural Education , vol.51 , Issue.1 , pp. 23-25
    • Moore, S.A.1
  • 18
  • 19
    • 0003624305 scopus 로고    scopus 로고
    • Cambridge, MA: Harvard University Press
    • Bruno Latour, We Have Never Been Modern (Cambridge, MA: Harvard University Press, 1993), p. 117.
    • (1993) We Have Never Been Modern , pp. 117
    • Latour, B.1
  • 21
    • 0004128476 scopus 로고
    • Donald Nicholson-Smith, trans, Cambridge, MA: Blackwell
    • Implicit in the first point is the claim that original nature, if it ever existed at all, has long ago been incorporated into second nature, which is a work of society. See Henri Lefebvre, The Production of Space [1974], Donald Nicholson-Smith, trans. (Cambridge, MA: Blackwell, 1991, p. 190.
    • (1974) The Production of Space , pp. 190
    • Lefebvre, H.1
  • 22
    • 80054138056 scopus 로고    scopus 로고
    • p. 31, for the second point
    • See ibid., p. 31, for the second point.
    • Lefebvre, H.1
  • 23
    • 0003553001 scopus 로고    scopus 로고
    • Anthony Giddens is credited with developing the theory of structuration, which is an attempt to synthesize the seemingly opposed principles of voluntarism and determinism. He argues that humans are free to transform social structures but are also products of those structures. My argument here, regarding the relation of places and technologies, is drawn from the same logic. See also MacKenzie and Wajcman, The Social Shaping of Technology, p. 6.
    • The Social Shaping of Technology , pp. 6
    • MacKenzie1    Wajcman2
  • 24
    • 80054153886 scopus 로고    scopus 로고
    • Space-shaping technologies and the disembedding of place
    • New York: Rowman and Littlefield
    • Philip Brey has examined how "space-shaping technologies" have disembedded the contemporary phenomenon of place. Where Brey's study has focused upon the role of "connectivity development" in transforming the experience of place, my own emphasis has been on what Brey terms "local development." See Philip Brey, "Space-shaping technologies and the disembedding of place," in Philosophy and Geography III: Philosophies of Place (New York: Rowman and Littlefield, 1998), p. 242.
    • (1998) Philosophy and Geography III: Philosophies of Place , pp. 242
    • Brey, P.1
  • 25
    • 0012568361 scopus 로고    scopus 로고
    • New York: Columbia University Press
    • Fredric Jameson, The Seeds of Time (New York: Columbia University Press, 1994), pp. 187-203.
    • (1994) The Seeds of Time , pp. 187-203
    • Jameson, F.1
  • 28
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    • Green Cities, Growing Cities, Just Cities: Urban Planning and the Contradiction of Sustainable Development
    • Summer
    • See also Scott Campbell, "Green Cities, Growing Cities, Just Cities: Urban Planning and the Contradiction of Sustainable Development," in APA Journal (Summer 1996): 296-312.
    • (1996) APA Journal , pp. 296-312
    • Campbell, S.1
  • 29
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    • London: Thames and Hudson
    • The term eco-tech has come into use to describe the environmentally responsible projects of those firms, like Sir Norman Foster & Partners, that were previously described as high-tech practitioners. For example, see Catherine Slessor, Eco-Tech: Sustainable Architecture and High Technology (London: Thames and Hudson, 1997), p. 7.
    • (1997) Eco-Tech: Sustainable Architecture and High Technology , pp. 7
    • Slessor, C.1
  • 32
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    • Good Buildings and Good for You
    • Apr. 16 Arts and Leisure
    • The other firms represented in the exhibition include: Foster and Partners, London; Clare Design, Sydney; Jourda & Perraudin Architectes, Kassel; Andrew Lee for Hackland + Dore Architects Ltd., Edinburgh; Michael Hopkins and Partners, London; Lake/Flato Architects, San Antonio; Rick Joy Architects, Tucson; Fernau & Hartman Architects, Berkeley; and Brian MacKay-Lyons Architecture Urban Design, Halifax. For a review of the exhibition, see Muschamp, "Good Buildings and Good for You," New York Times, Apr. 16, 2000: Arts and Leisure, p. 37.
    • (2000) New York Times , pp. 37
    • Muschamp1


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