Musicology and meaning

Musical Times

Volumn 144, Issue 1883, 2003, Pages 6-12

  Kramer, Lawrence ^a  

^a FORDHAM UNIVERSITY   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 61049344007     PISSN: 00274666     EISSN: None     Source Type: Journal    
DOI: 10.2307/3650677     Document Type: Article

References (7)

1. James R. Ostreich: 'Beethoven seen as musician, not hero', in The New York Times (Monday, 23 December 2002), section E., p.11, column 1
2. Michael Kimmelman: 'The first modern', review of Lewis Lockwood: Beethoven: the music and the man, in The New York Times Book Review (Sunday, 19 January 2003), p.11
3. Musical meaning: toward a critical history (Berkeley: University of California Press, 2002), pp.1-10
4. Roger Scruton: Aesthetics of music (Oxford: Clarendon Press, 1997), p.344
5. 'Subjectivity rampant! Music, hermeneutics, and history', in The cultural study of music, edd. Martin Clayton, Trevor Herbert & Richard Middleton (New York: Routledge. 2002), pp.124-35; Musical Meaning, pp.11-20
6. 'Theorizing musical meaning', in Music Theory Spectrum 23 (2001), pp.170-95
7. From Prufrock and other observations (1917), in TS Eliot: Collected poems, 1909-1962 (New York: Harcourt, Brace & World, 1963), p.8