Some kind of wonderful: The creative legacy of the Brill building

American Music

Volumn 21, Issue 2, 2003, Pages 214-235

  Inglis, Ian ^a  

^a NORTHUMBRIA UNIVERSITY   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 61049320721     PISSN: 07344392     EISSN: None     Source Type: Journal    
DOI: 10.2307/3250565     Document Type: Article

References (55)

1. Those with no mention of the Brill Building include Carl Belz, The Story of Rock (New York: Oxford University Press, 1976)
2. Tony Palmer, All You Need Is Love: The Story of Popular Music (London: Weidenfeld and Nicholson, 1976)
3. and Richard Crawford, An Introduction to America's Music (New York: Norton, 2001)
4. For only a passing mention see, for example, Nik Cohn, AWopBopaLooBop ALopBamBoom: Pop from the Beginning (London: Weidenfeld and Nicholson, 1969)
5. Charlie Gillett, The Sound of the City (London: Sphere, 1971)
6. Philip H. Ennis, The Seventh Stream: The Emergence of Rock 'n' Roll in American Popular Music (Hanover, N.H.: Wesleyan University Press, 1992)
7. See, for example, Alan Betrock, Girl Groups: The Story of a Sound (New York: Delilah, 1982)
8. Charlotte Greig, Will You Still Love Me Tomorrow (London: Virago, 1989)
9. Jon Fitzgerald, "When the Brill Building Met Lennon-McCartney: Continuity and Change in the Early Evolution of the Mainstream Pop Song," Popular Music and Society 19, no. 1 (1995): 59-78
10. Timothy E. Scheurer, "The Beatles, the Brill Building, and the Persistence of Tin Pan Alley in the Age of Rock," Popular Music and Society 20, no. 4 (1996): 89-102
11. Mary E. Rohlfing, "Don't Say Nothin' Bad about My Baby: A Re-Evaluation of Women's Roles in the Brill Building Era of Early Rock 'n' Roll," Critical Studies in Mass Communication 13, no. 2 (1996): 95-114
12. Jeremy Pascall, The Illustrated History of Rock Music (London: Hamlyn, 1984), 51
13. Paul Du Noyer, The Virgin Story of Rock 'n' Roll (London: Virgin, 1995), 56
14. Greg Shaw, "Brill Building Pop," in The Rolling Stone Illustrated History of Rock and Roll, ed. Anthony DeCurtis and James Henke (New York: Random House, 1992), 151
15. Fitzgerald, "When the Brill Building Met Lennon-McCartney," 60
16. Betrock, Girl Groups, 42
17. Greig, Will You Still Love Me Tomorrow, 37
18. Shaw, "Brill Building Pop," 150
19. Rohlfing, "Don't Say Nothin' Bad about My Baby," 94
20. Susan J. Douglas, Where the Girls Are (New York: Times Books, 1994), 87
21. Gillian G. Gaar, She's a Rebel: The History of Women in Rock and Roll (Seattle: Seal Press, 1992), 66
22. Rohlfing, "Don't Say Nothing Bad about My Baby," 94
23. Greil Marcus, "The Girl Groups," in The Rolling Stone Illustrated History of Rock and Roll, ed. DeCurtis and Henke, 190
24. Robert Palmer, Rock and Roll: An Unruly History (New York: Harmony Books, 1995), 35
25. Neil Sedaka, Laughter in the Rain: My Own Story (London: Elm Tree Books, 1983), 96-97
26. Ron Fell, "Carole King: Rewriting Her Legacy," The Gavin Report no. 1753, April 21, 1989, 2
27. Palmer, Rock and Roll, 35
28. George Martin, All You Need Is Ears (New York: St. Martin's Press, 1979), 130-31
29. Paul Friedlander, Rock and Roll: A Social History (Boulder, Colo.: Westview Press, 1996), 86
30. Ian Inglis, "Conformity, Status and Innovation: The Accumulation and Utilisation of Idiosyncrasy Credits in the Career of the Beatles," Popular Music and Society 19, no. 3 (1995): 41-74"
31. Steve Turner, A Hard Day's Write (London: Carlton, 1994), 19
32. Iain Chambers, Urban Rhythms: Pop Music and Popular Culture (London: Macmillan, 1985), 63
33. Terence J. O'Grady, The Beatles: A Musical Evolution (Boston: Twayne, 1983), 11
34. Sharon Davis, Motown: The History (London: Guinness, 1988), 22
35. Friedlander, Rock and Roll, 174
36. Jon Fitzgerald, "Motown Crossover Hits, 1963-66
37. and the Creative Process," Popular Musk 14, no. 1 (1995): 8
38. Palmer, All You Need Is Love, 158
39. Fitzgerald, "Motown Crossover Hits," 8
40. Jon Landau, "A Whiter Shade of Black," in The Age of Rock, ed. Jonathan Eisen (New York: Vintage Books, 1969), 298
41. Lucy O'Brien, She Bop (Harmondsworth: Penguin, 1995), 67-69
42. Jerry Hopkins, Elvis (London: Macmillan, 1972), 47
43. Gillett, The Sound of the City, 226
44. Tom Wolfe, "The First Tycoon of Teen," in The Age of Rock, ed. Eisen, 330
45. Mark Ribowsky, He's a Rebel (New York: Dutton, 1989), 2
46. Ribowsky, He's a Rebel, 4
47. Scheurer, "The Beatles, the Brill Building, and the Persistence of Tin Pan Alley in the Age of Rock," 91
48. Martha Bayles, Hole in Our Sold: The Loss of Beauty and Meaning in American Popular Music (New York: Free Press, 1994), 159
49. Brian Ward, Just My Soul Responding (London: UCL Press, 1998), 6
50. Arnold Shaw, Black Popular Music in America (New York: Schirmer, 1986), 186
51. Bill Millar, The Drifters (London: Studio Vista, 1971), 61
52. Ward, Just My Soul Responding, 214-15
53. Mark Bego, Aretha Franklin: The Queen of Soul (London: Robert Hale, 1989), 99
54. Peter Guralnick, Sweet Soul Music (New York: Harper and Row, 1986), 6-7
55. Bayles, Hole in Our Soul, 158