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Volumn 14, Issue 2, 2001, Pages 173-183

The semiotics of anthropological authenticity: The film apparatus and cultural accommodation

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Indexed keywords


EID: 61049260997     PISSN: 08949468     EISSN: 15455920     Source Type: Journal    
DOI: 10.1080/08949468.2001.9966824     Document Type: Article
Times cited : (11)

References (25)
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  • 8
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    • The Real Goat: Identity and Authenticity in Shakaland
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    • Hamilton, Carolyn. 1992. “ The Real Goat: Identity and Authenticity in Shakaland ”. In Proceedings: Myths, Monuments, Museums, New Premises, Johannesburg: History Workshop, University of Witwatersrand.
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    • Hamilton, C.1
  • 11
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    • Glancing off a Postmodern Wall: a Visit to the Making of Zulu Dawn
    • Kohn, Nate. 1994. Glancing off a Postmodern Wall: a Visit to the Making of Zulu Dawn. Studies in Symbolic Interactionism, 16: 85–106.
    • (1994) Studies in Symbolic Interactionism , vol.16 , pp. 85-106
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  • 12
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    • Luger, Kurt. 1992. The Sound of Music Country: Austria's Cultural Identity. Media, Culture and Society, 14: 195–192.
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    • Luger, K.1
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    • Textualizing the San ‘Past’: Dancing with Development
    • Tomaselli, Keyan G. 1999a. Textualizing the San ‘Past’: Dancing with Development. Visual Anthropology, 12: 197–212.
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  • 25
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