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Volumn 31, Issue 3, 2003, Pages 340-352

Investigating Expressive Timing and Dynamics in Recorded Cello Performances

Author keywords

Dynamics; Motor process; Performance; Performance analysis; Recording; Timing

Indexed keywords


EID: 61049155816     PISSN: 03057356     EISSN: 17413087     Source Type: Journal    
DOI: 10.1177/03057356030313006     Document Type: Article
Times cited : (11)

References (17)
  • 3
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    • Clarke, E.F. (1989) 'The Perception of Expressive Timing in Music', Psychological Research 51: 2-9.
    • (1989) Psychological Research , vol.51 , pp. 2-9
    • Clarke, E.F.1
  • 5
    • 31744442649 scopus 로고    scopus 로고
    • Real and Simulated Expression: A Listening Study
    • Clarke, E.F. and Windsor, W.L. (2000) 'Real and Simulated Expression: A Listening Study', Music Perception 17 (3). 277-313.
    • (2000) Music Perception , vol.17 , Issue.3 , pp. 277-313
    • Clarke, E.F.1    Windsor, W.L.2
  • 6
    • 60949228902 scopus 로고
    • The Conductor and the Theorist: Furtwangler, Schenker, and the First Movement of Beethoven's Ninth Symphony
    • J. Rink (ed.) Cambridge: Cambridge University Press
    • Cook, N. (1995) 'The Conductor and the Theorist: Furtwangler, Schenker, and the First Movement of Beethoven's Ninth Symphony', in J. Rink (ed.) The Practice of Performance: Studies in Musical Interpretation. Cambridge: Cambridge University Press.
    • (1995) The Practice of Performance: Studies in Musical Interpretation
    • Cook, N.1
  • 11
    • 61049551110 scopus 로고
    • On the Relationship of Analytical Theory to Performance and Interpretation
    • E. Narmour and R.A. Solie (eds) Stuyvesant, NY: Pendragon
    • Narmour, E. (1988) 'On the Relationship of Analytical Theory to Performance and Interpretation', in E. Narmour and R.A. Solie (eds) Explorations in Music, the Arts, and Ideas, pp. 317-340. Stuyvesant, NY: Pendragon.
    • (1988) Explorations in Music, the Arts, and Ideas , pp. 317-340
    • Narmour, E.1
  • 12
    • 0025126563 scopus 로고
    • Patterns of Expressive Timing in Performances of Beethoven Minuet by Nineteen Famous Pianists
    • Repp, B.H. (1990) 'Patterns of Expressive Timing in Performances of Beethoven Minuet by Nineteen Famous Pianists', Journal of the Acoustical Society of America 88 (2). 622-641.
    • (1990) Journal of the Acoustical Society of America , vol.88 , Issue.2 , pp. 622-641
    • Repp, B.H.1
  • 13
    • 60950176081 scopus 로고    scopus 로고
    • Individual Differences in the Expressive Shaping of a Musical Phrase: The Opening of Chopin's Etude in E major
    • S.W. Yi (ed.) Seoul: Seoul National University Press
    • Repp, B.H. (1999) 'Individual Differences in the Expressive Shaping of a Musical Phrase: The Opening of Chopin's Etude in E major', in S.W. Yi (ed.) Music, Mind, and Science. Seoul: Seoul National University Press.
    • (1999) Music, Mind, and Science
    • Repp, B.H.1
  • 14
    • 84968091520 scopus 로고
    • A Model of Expressive Timing in Tonal Music
    • Todd, N.P. (1985) 'A Model of Expressive Timing in Tonal Music', Music Perception 3: 33-58.
    • (1985) Music Perception , vol.3 , pp. 33-58
    • Todd, N.P.1
  • 15
    • 0026653777 scopus 로고
    • The Dynamics of Dynamics: A Model of Musical Expression
    • Todd, N.P. (1992) 'The Dynamics of Dynamics: A Model of Musical Expression', Journal of the Acoustical Society of America 91 (6). 3540-3550.
    • (1992) Journal of the Acoustical Society of America , vol.91 , Issue.6 , pp. 3540-3550
    • Todd, N.P.1
  • 16
    • 84888737252 scopus 로고
    • The Sarabande of J.S. Bach's Suite No.3 for Unaccompanied Violoncello (BWV 1009)
    • Schenker, H. (1970 [1926]) 'The Sarabande of J.S. Bach's Suite No.3 for Unaccompanied Violoncello (BWV 1009)., trans. H. Siegel, Music Forum 274-282.
    • (1970) Music Forum , pp. 274-282
    • Schenker, H.1
  • 17
    • 0141890800 scopus 로고    scopus 로고
    • Expressive Timing and Dynamics in Real and Artificial Musical Performances: Using an Algorithm as an Analytical Tool
    • Windsor, W.L. and Clarke, E.F. (1997) 'Expressive Timing and Dynamics in Real and Artificial Musical Performances: Using an Algorithm as an Analytical Tool', Music Perception 15 (2). 127-152.
    • (1997) Music Perception , vol.15 , Issue.2 , pp. 127-152
    • Windsor, W.L.1    Clarke, E.F.2


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.