I wanna be your man: Suzi Quatro's musical androgyny

Popular Music

Volumn 23, Issue 1, 2004, Pages 1-16

  Auslander, Philip ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 61049124631     PISSN: 02611430     EISSN: None     Source Type: Journal    
DOI: 10.1017/S0261143004000030     Document Type: Review

References (35)

1. Auslander, P. Forthcoming. All the Young Dudes: Performing Glam Rock (Michigan) 2003
2. 'General Introduction', in Performance: Critical Concepts in Literary and Cultural Studies, Volume I, ed. P. Auslander (London), pp. 1-24
3. Bayton, M. 1997. 'Women and the electric guitar', in Sexing the Groove: Popular Music and Gender, ed. S. Whiteley (London), pp. 37-49
4. Butler, J. 1988. 'Performative acts and gender constitution: an essay in phenomenology', Theatre Journal, 40, pp. 519-31
5. Clawson, M. 1999. 'When women play the bass: instrument specialization and gender interpretation in alternative rock music', Gender & Society, 13, pp. 193-210
6. Davis, A. 2000. Liner Notes for Quatro 2000 (1973, 1974)
7. Frith, S. 1981. Sound Effects: Youth, Leisure, and the Politics of Rock 'n' Roll (New York)
8. 1996. Performing Rites: On the Value of Popular Music (Cambridge, MA)
9. Frith, S., and McRobbie, A. 1990 (1978). 'Rock and sexuality', in On Record: Rock, Pop, & the Written Word, ed. S. Frith and A. Goodwin (New York), pp. 371-89
10. Gaar, G. 1992. She's a Rebel: The History of Women in Rock & Roll (Seattle)
11. Goffman, E. 1979. Gender Advertisements (New York)
12. Gottlieb, J., and Wald, G. 1994. 'Smells Like Teen Spirit: Riot Grrrls, revolution and women in independent rock', in Microphone Fiends: Youth Music and Youth Culture, ed. A. Ross and T. Rose (New York), pp. 250-74
13. Haynes, T. 1998. Foreword, in Hoskyns 1998, pp. x-xi
14. Hoskyns, B. 1998. Glam! Bowie, Bolan and the Glitter Rock Revolution (New York)
15. Lhamon, W. T. 2002. Deliberate Speed: The Origins of a Cultural Style in the American 1950s (Cambridge, MA)
16. Marsh, D. 1985. The First Rock & Roll Confidential Report (New York)
17. Negus, K. 1996. Popular Music in Theory (Hanover, NH)
18. Oglesbee, F.W. 1999. 'Suzi Quatro: a prototype in the archsheology of rock'. Popular Music and Society, 23, pp. 29-39
19. Padel, R. 2000. I'm a Man: Sex, Gods and Rock 'n' Roll (London)
20. Reynolds, S., and Press, J. 1995. The Sex Revolts: Gender, Rebellion, and Rock 'n' Roll (Cambridge, MA)
21. Shuker, R. 1998. Key Concepts in Popular Music (London)
22. Smith, P. J. 1999. 'You Don't Have to Say You Love Me: the camp masquerades of Dusty Springfield', in The Queer Sixties, ed. P. J. Smith (New York), pp. 105-26
23. Stambler, 1.1989. Encyclopedia of Pop, Rock & Soul, Revised Edition (New York)
24. Unterberger, R. 1997. 'Suzi Quatro', in All Music Guide to Rock, Second Edition, ed. M. Erlwine et al. (San Francisco), p. 745
25. Walser, R. 1993. Running with the Devil: Power, Gender, and Madness in Heavy Metal Music (Hanover, NH)
26. Weinstein, D. 1998. 'The history of rock's pasts through rock covers', in Mapping the Beat: Popular Music and Contemporary Theory, ed. T. Swiss, J. Sloop and A. Herman (Malden, MA), pp. 137-51
27. West, C., and Zimmerman, D. 1987. 'Doing gender', Gender & Society, 1, pp. 68-82
28. David Bowie, The Man Who Sold the World. Mercury 6338041. 1971
29. Leslie Gore, 'I Wish I Were a Boy' ( 1964), Growin' Up Too Fast: The Girl Group Anthology. Polygram Records D213097. 1996
30. The Kinks, 'Lola', Lola Versus Powerman and the Moneygoround. Reprise RS 6423. 1970
31. Ian Matthews, 'Da Doo Ron Ron (When He Walked Me Home)', Tigers Will Survive. Vertigo VEL 1010. 1971
32. She, She Wants a Piece of You. Big Beat Records CDWIKD 192. 1999
33. Suzi Quatro, Suzi Quatro/Quatro. BGO Records BGOCD499. 2000 (1973, 1974)
34. Suzi Quatro, If You Knew Suzi ... RSO Records RS-1-3044. 1979
35. Suzi Quatro, Suzi Quatro: Greatest Hits. EMI Records 7243 4 99506 2 7. 1999