From aesthetics to art criticism and back

Journal of Aesthetics and Art Criticism

Volumn 54, Issue 2, 1996, Pages 105-115

  Danto, Arthur C ^a  

^a Och Spine at New York Presbyterian Hospitals   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 61049111442     PISSN: 00218529     EISSN: 15406245     Source Type: Journal    
DOI: 10.2307/431083     Document Type: Review

References (14)

1. Immanuel Kant, Critique of Judgment, trans. J. M. Bernard (New York: Hafner Publishing Company, 1951), §5, p. 45
2. Harrison S. Morris, Confessions in Art (New York: Sears Publishing Co., 1930), p. 37
3. David Sellin, The First Pose (New York: W. W. Norton, 1976), p. 56
4. Clement Greenberg, "The Identity of Art," in Modernism with a Vengeance, 1957-1969, vol. 4 of The Collected Essays and Criticism, ed. John O'Brian (University of Chicago Press, 1993), p. 118
5. Steven Watson, Strange Bedfellows: The First American Avant-Garde (New York; Abbeville Press, 1991), pp. 313-314
6. Hans Richter, Dada: Art and Anti-Art (London: Thames and Hudson, 1966), pp. 207-208
7. Greenberg, "Review of Piero della Francesca and The Arch of Constantine, both by Bernard Berenson," in Affirmations and Refusals, 1950-1956, vol. 3 of The Collected Essays and Criticism, p. 249
8. Thomas Hoving, Making the Mummies Dance: Inside the Metropolitan Museum of Art (New York: Simon & Schuster, 1993), p. 256
9. Greenberg, "Interview Conducted by Lily Leino," in Modernism with a Vengeance, 1957-1969, p. 308
10. D. I. Perrett, K. A. May, and S. Yoshikawa, "Facial Shape and Judgements of Female Attractiveness," Nature 368 (1994): 239-242; 241
11. Nancy L. Etcoff, "Beauty and the Beholder," Nature 368 (1994): 186-187
12. Arthur Schopenhauer, The World as Will and Representation, trans. E. F. J. Payne (Indian Hills, Colorado: The Falcon's Wing Press, 1958), vol. II, chap. xxxvi, p. 420
13. Paul J. Watson and Randy Thornhill, "Fluctuating Asymmetry and Sexual Selection," Tree 9 (1994): 21-25
14. G. W. F. Hegel, Aesthetics: Lectures on Fine Art, trans. T. M. Knox. (Oxford: Clarendon Press, 1975), vol. I, p. 71