Vanishing point: Spatial composition and the virtual camera

Animation

Volumn 2, Issue 3, 2007, Pages 225-243

  Jones, Mike ^a  

^a UNIVERSITY OF NEW SOUTH WALES   (Australia)

Author keywords

3D; Camera; Composition; Diegesis; Gaming; Remediation; Simulation; Space; Virtual

Indexed keywords

EID: 61049098694     PISSN: 17468477     EISSN: 17468485     Source Type: Journal    
DOI: 10.1177/1746847707083420     Document Type: Article

References (11)

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2. Bazin, A. (2004) What Is Cinema?, Vol. 1, trans. Hugh Gray. Berkeley: University of California Press
3. Bolter, J. and Grusin, R. (1999) Remediation: Understanding New Media. Cambridge, MA: MIT Press
4. Börge, V. (1962) 'Cinema: A Camera Within Us', trans. M. Snell. URL (consulted 8 July 2005): http://www.poetrymagazines.org.uk/magazine/record.asp? id=10979
5. Branigan, E. (2006) Projecting a Camera: Language-Games in Film Theory. New York: Routledge Taylor & Francis Group
6. Cook, P. (ed.) (1985) The Cinema Book. London: BFI Publishing
7. Cousins, M. (2004) The Story of Film. London: Pavilion
8. Cubitt, S. (2004) The Cinema Effect. Cambridge, MA: MIT Press
9. Davis, M. (1999) The Poetry of Philosophy - On Aristotle's Poetics. Chicago: St Augustine's Press
10. Ferwerda, J. (2003) 'Three Varieties of Realism in Computer Graphics'. URL (consulted Feb. 2006): www.graphics.cornell.edu/pubs/2003/Fer03.pdf
11. Ndalianis, A. (2000) 'Architectures of the Senses: Neo-Baroque Entertainment Spectacles', in David Thorburn and Henry Jenkins (eds) Rethinking Media Change: The Aesthetics of Transition. Cambridge, MA: MIT Press