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65849444815
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A Schenker Bibliography
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David Beach, "A Schenker Bibliography," Journal of Music Theory 3 (1969): 2-37,
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Journal of Music Theory
, vol.3
, pp. 2-37
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Beach, D.1
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2
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65849253131
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A Schenker Bibliography: 1969-1979
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"A Schenker Bibliography: 1969-1979," Journal of Music Theory 23 (1979): 275-86,
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(1979)
Journal of Music Theory
, vol.23
, pp. 275-286
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3
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67650831489
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The Current State of Schenkerian Research
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"The Current State of Schenkerian Research," Acta Musicologica 57 (1985): 275-307,
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(1985)
Acta Musicologica
, vol.57
, pp. 275-307
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4
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84868806402
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Schenkerian Theory
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"Schenkerian Theory," Music Theory Spectrum 11 (1989): 3-14.
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(1989)
Music Theory Spectrum
, vol.11
, pp. 3-14
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5
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49949104927
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Rhythm and Linear Analysis: A Preliminary Study
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Carl Schachter, "Rhythm and Linear Analysis: A Preliminary Study," The Music Forum 4 (1976): 281-334,
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(1976)
The Music Forum
, vol.4
, pp. 281-334
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Schachter, C.1
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6
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61949168818
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Rhythm and Linear Analysis: Durational Reduction
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"Rhythm and Linear Analysis: Durational Reduction," The Music Forum 5 (1980): 197-232,
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(1980)
The Music Forum
, vol.5
, pp. 197-232
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7
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65849166551
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A Commentary on Schenker's Der freie Satz
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"A Commentary on Schenker's Der freie Satz," Journal of Music Theory 25 (1981): 115-42,
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(1981)
Journal of Music Theory
, vol.25
, pp. 115-142
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10
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60949147110
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Hierarchical Unity, Plural Unities: Toward a Reconciliation
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ed. Katherine Bergeron and Philip Bohlman Chicago: University of Chicago Press
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Richard Cohn and Douglas Dempster, "Hierarchical Unity, Plural Unities: Toward a Reconciliation," in Disciplining Music: Musicology and its Canons, ed. Katherine Bergeron and Philip Bohlman (Chicago: University of Chicago Press, 1992), 151-81;
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(1992)
Disciplining Music: Musicology and its Canons
, pp. 151-181
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Cohn, R.1
Dempster, D.2
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11
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60949178889
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Schenker's Theory, Schenkerian Theory: Pure Unity or Constructive Conflict?
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Richard Cohn, "Schenker's Theory, Schenkerian Theory: Pure Unity or Constructive Conflict?" Indiana Theory Review 13 (1992): 1-20,
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(1992)
Indiana Theory Review
, vol.13
, pp. 1-20
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Cohn, R.1
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12
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84963086939
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The Autonomy of Motives in Schenkerian Accounts of Tonal Music
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"The Autonomy of Motives in Schenkerian Accounts of Tonal Music," Music Theory Spectrum 14 (1992): 150-70;
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(1992)
Music Theory Spectrum
, vol.14
, pp. 150-170
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14
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61449214501
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The Empiricist Illusion: Narmour's Beyond Schenkerism
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Allan Keiler, "The Empiricist Illusion: Narmour's Beyond Schenkerism," Perspectives of New Music 17/1 (1978): 163-64,
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(1978)
Perspectives of New Music
, vol.17
, Issue.1
, pp. 163-164
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Keiler, A.1
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15
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79955318441
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Review: Hedi Siegel ed., Schenker Studies and Allen Cadwallader ed., Trends in Schenkerian Research
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Matthew Brown, "Review: Hedi Siegel ed., Schenker Studies and Allen Cadwallader ed., Trends in Schenkerian Research," Music Theory Spectrum 13 (1991): 272-73.
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(1991)
Music Theory Spectrum
, vol.13
, pp. 272-273
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Brown, M.1
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16
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33645345431
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Cambridge: Harvard University Press
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Joseph Kerman, Contemplating Music (Cambridge: Harvard University Press, 1985), 82.
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(1985)
Contemplating Music
, pp. 82
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Kerman, J.1
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17
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84948972126
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Review: Allen Forte, The Harmonic Organization of 'The Rite of Spring
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Richard Taruskin "Review: Allen Forte, The Harmonic Organization of 'The Rite of Spring,'" Current Musicology 28 [1979]: 119.
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(1979)
Current Musicology
, vol.28
, pp. 119
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Taruskin, R.1
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18
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5844264295
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Chicago: University of Chicago Press
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Eugene Narmour, Beyond Schenkerism (Chicago: University of Chicago Press, 1977), 29-30.
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(1977)
Beyond Schenkerism
, pp. 29-30
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Narmour, E.1
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19
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79955252313
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New York: Pantheon
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Graham Chapman, John Cleese, Terry Gilliam, Eric Idle, Terry Jones, and Michael Palin, The Complete Monty Python's Flying Circus: All the Words vol. 2 (New York: Pantheon, 1989), 118-20.
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(1989)
The Complete Monty Python's Flying Circus: All the Words
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Chapman, G.1
Cleese, J.2
Gilliam, T.3
Idle, E.4
Jones, T.5
Palin, M.6
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20
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84968285637
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The Perception of Large-Scale Tonal Closure
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Nicholas Cook, "The Perception of Large-Scale Tonal Closure," Music Perception 5 [1987]: 197-206.
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(1987)
Music Perception
, vol.5
, pp. 197-206
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Cook, N.1
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21
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79955202758
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Laws and Their Roles in Scientific Explanation
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Englewood Cliffs: Prentice-Hall
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Carl Hempel, "Laws and Their Roles in Scientific Explanation," Philosophy of Natural Science (Englewood Cliffs: Prentice-Hall, 1966), 47-69.
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(1966)
Philosophy of Natural Science
, pp. 47-69
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Hempel, C.1
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22
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0346860793
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Observations, Explanatory Power, and Simplicity: Toward a Non-Humean Account
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ed. P. Achinstein and O. Hannaway Cambridge: MIT Press
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Richard Boyd, "Observations, Explanatory Power, and Simplicity: Toward a Non-Humean Account," in Observation, Experiment, and Hypothesis in Modern Physical Science, ed. P. Achinstein and O. Hannaway (Cambridge: MIT Press, 1985), 47-94.
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(1985)
Observation, Experiment, and Hypothesis in Modern Physical Science
, pp. 47-94
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Boyd, R.1
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25
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0038878418
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The 'Corroboration' of Theories
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The Philosophy of Karl Popper, ed. Paul A. Schlipp, La Salle, Ill.: Open Court
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Hilary Putnam, "The 'Corroboration' of Theories," in The Philosophy of Karl Popper, ed. Paul A. Schlipp, The Library of Living Philosophers, vol. 14 (La Salle, Ill.: Open Court, 1974), 221-40.
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The Library of Living Philosophers
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, pp. 221-240
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Putnam, H.1
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26
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61949093934
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Schenkerian Analysis and Post-Tonal Music
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ed. David Beach New Haven: Yale University Press
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James Baker, "Schenkerian Analysis and Post-Tonal Music," in Aspects of Schenkerian Theory, ed. David Beach (New Haven: Yale University Press, 1983), 153-86;
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(1983)
Aspects of Schenkerian Theory
, pp. 153-186
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Baker, J.1
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27
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60949118756
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Schenker's Conception of Musical Structure
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Allen Forte, "Schenker's Conception of Musical Structure," Journal of Music Theory 3 (1959): 1-30;
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(1959)
Journal of Music Theory
, vol.3
, pp. 1-30
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Forte, A.1
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29
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Review of Free Composition
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Edward Laufer, "Review of Free Composition," Music Theory Spectrum 3 (1981): 158-84;
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(1981)
Music Theory Spectrum
, vol.3
, pp. 158-184
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Laufer, E.1
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30
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60949470540
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Dissonant Prolongation: Theoretical and Compositional Precedents
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Robert P. Morgan, "Dissonant Prolongation: Theoretical and Compositional Precedents," Journal of Music Theory 20 (1976): 49-91;
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(1976)
Journal of Music Theory
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, pp. 49-91
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Morgan, R.P.1
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32
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Re: A New Concept of Tonality (?)
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Ernst Oster, "Re: A New Concept of Tonality (?)," Journal of Music Theory 4 (1960): 85-98;
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(1960)
Journal of Music Theory
, vol.4
, pp. 85-98
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Oster, E.1
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34
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The Problem of Prolongation in Post-Tonal Music
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Joseph N. Straus, "The Problem of Prolongation in Post-Tonal Music," Journal of Music Theory 31 (1987): 1-21;
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(1987)
Journal of Music Theory
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, pp. 1-21
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Straus, J.N.1
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35
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60949186782
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Towards a New Concept of Tonality?
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Roy Travis, "Towards a New Concept of Tonality?" Journal of Music Theory 3 (1959): 257-84.
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(1959)
Journal of Music Theory
, vol.3
, pp. 257-284
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Travis, R.1
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36
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64949147759
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Voice-leading in Post-Tonal Music: Suggestions for Extending Schenker's Theory
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Baker "Voice-leading in Post-Tonal Music: Suggestions for Extending Schenker's Theory," Music Analysis 9 (1990): 177-200.
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(1990)
Music Analysis
, vol.9
, pp. 177-200
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Baker, J.1
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37
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79955291675
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rev. ed., ed. Leonard Stein New York: W. W. Norton
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Arnold Schoenberg. Structural Functions of Harmony, rev. ed., ed. Leonard Stein (New York: W. W. Norton, 1975), 20-21,
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(1975)
Structural Functions of Harmony
, pp. 20-21
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Schoenberg, A.1
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38
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79953439024
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Cleveland: Meridian
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Donald Francis Tovey. The Forms of Music (Cleveland: Meridian, 1956), 62-63.
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The Forms of Music
, pp. 62-63
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Tovey, D.F.1
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39
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Tonality in Schubert
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New York: Oxford University Press
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Donald Francis Tovey, "Tonality in Schubert," in The Main Stream of Music and other Essays (New York: Oxford University Press, 1949), 154.
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The Main Stream of Music and other Essays
, pp. 154
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Tovey, D.F.1
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41
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0006225046
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Vienna: Universal
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foreword by Rudolf Frisuis (Vienna: Universal, 1978)
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(1978)
foreword
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Frisuis, R.1
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42
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79955180940
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ed. Oswald Jonas, Chicago: University of Chicago Press
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Elisabeth Mann Borgese, ed. Oswald Jonas, as Harmony (Chicago: University of Chicago Press, 1954),
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Harmony
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Borgese, E.M.1
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43
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Vienna: Universal
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vol. 3 Der freie Satz (Vienna: Universal, 1935),
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Der freie Satz
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45
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Elucidations
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Ian Bent, trans., "Elucidations," Music Analysis 5 (1986): 191,
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Music Analysis
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, pp. 191
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Bent, I.1
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47
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The Diatonic and the Chromatic in Schenker's Theory of Harmonic Relations
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especially 14-15
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Matthew Brown "The Diatonic and the Chromatic in Schenker's Theory of Harmonic Relations," Journal of Music Theory 30 (1986): 1-34, especially 14-15.
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(1986)
Journal of Music Theory
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, pp. 1-34
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Brown, M.1
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3 vols. Munich: Drei Masken Verlag, 1926
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Heinrich Schenker, Das Meisterwerk in der Musik, 3 vols. (Munich: Drei Masken Verlag, 1925, 1926, and 1930),
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(1925)
Das Meisterwerk in der Musik
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Schenker, H.1
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3rd ed. New York: Holt, Rinehart, and Winston
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Allen Forte, Tonal Harmony in Concept and Practice, 3rd ed. (New York: Holt, Rinehart, and Winston, 1979), 510-11.
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Tonal Harmony in Concept and Practice
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Forte, A.1
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Extended forms: the Ballades, scherzos and fantasies
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ed. Jim Samson Cambridge: Cambridge University Press
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Samson, "Extended forms: the Ballades, scherzos and fantasies," in The Cambridge Companion to Chopin, ed. Jim Samson [Cambridge: Cambridge University Press, 1992], 112-15,
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The Cambridge Companion to Chopin
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The Music of Chopin [London: Routledge and Kegan Paul, 1985], 175-79).
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The Music of Chopin
, pp. 175-179
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55
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Chopin's Etude in F Major, Opus 25, No. 3: The Scope of Tonality
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Felix Salzer, "Chopin's Etude in F Major, Opus 25, No. 3: The Scope of Tonality," The Music Forum 3 (1973): 281-90.
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(1973)
The Music Forum
, vol.3
, pp. 281-290
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Salzer, F.1
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56
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Tonic Arpeggiation and Successive Equal Third Relations as Elements of Tonal Evolution in the Music of Franz Liszt
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Howard Cinnamon "Tonic Arpeggiation and Successive Equal Third Relations as Elements of Tonal Evolution in the Music of Franz Liszt," Music Theory Spectrum 8 (1986): 1-24.
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(1986)
Music Theory Spectrum
, vol.8
, pp. 1-24
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Cinnamon, H.1
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A Rhythmic Study of the Exposition in the Second Movement of Beethoven's Quartet Op. 59, No. 1
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Dave Headlam, "A Rhythmic Study of the Exposition in the Second Movement of Beethoven's Quartet Op. 59, No. 1," Music Theory Spectrum 7 (1985): 114-38.
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(1985)
Music Theory Spectrum
, vol.7
, pp. 114-138
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Headlam, D.1
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58
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Cambridge: Cambridge University Press
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Julian Rushton, The Musical Language of Berlioz (Cambridge: Cambridge University Press, 1983), 172-80.
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The Musical Language of Berlioz
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Rushton, J.1
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59
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New York: Knopf, and 155-56
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Joel Lester, Harmony in Tonal Music, vol. 2 [New York: Knopf, 1982], 100-101 and 155-56.
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(1982)
Harmony in Tonal Music
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, pp. 100-101
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Lester, J.1
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60
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New Haven: Yale University Press
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Richard Parks, The Music of Claude Debussy (New Haven: Yale University Press, 1989), 300.
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(1989)
The Music of Claude Debussy
, pp. 300
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Parks, R.1
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New Haven: Yale University Press
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Dave Headlam, The Music of Alban Berg (New Haven: Yale University Press, 1996), 33-45.
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The Music of Alban Berg
, pp. 33-45
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Headlam, D.1
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Berkeley: University of California Press
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Elliot Antokoletz, The Music of Béla Bartók (Berkeley: University of California Press, 1984), 251-54,
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(1984)
The Music of Béla Bartók
, pp. 251-254
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Antokoletz, E.1
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63
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New Haven: Yale University Press
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Paul Wilson, The Music of Béla Bartók (New Haven: Yale University Press, 1993), 26-27.
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The Music of Béla Bartók
, pp. 26-27
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Wilson, P.1
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