Live from cyberspace: Or, I was sitting at my computer this guy appeared he thought I was a bot

PAJ - Journal of Performance and Art

Volumn 24, Issue 1, 2002, Pages 16-21

  Auslander, Philip ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 60950741934     PISSN: 1520281X     EISSN: 15379477     Source Type: Journal    
DOI: 10.1162/152028101753401767     Document Type: Review

References (7)

1. Jacques Attali, Noise: The Political Economy of Music, trans. Brian Massumi (Minneapolis: University of Minnesota Press, 1985), 90-96
2. Philip Auslander, Liveness: Performance in a Mediatized Culture (London, New York: Routledge, 1999), esp. 23. The present account of the historical emergence of the live as a conceptual category modifies the discussion in Liveness
3. See also Attali, Noise, 85
4. Andrew Leonard, Bots: The Origin of New Species (San Francisco: Hardwired, 1997) 41-42
5. Heather Peel, "I Chat, Therefore I Am An Introduction to Bots on IRC," available at http://www.chatcircuit.com/tech/10/1.0bots.htm
6. Herbert Blau, Blooded Thought: Occasions of Theatre (New York: Performing Arts Journal Publications, 1982), 134
7. Peggy Phelan, Mourning Sex: Performing Public Memories (London, New York: Routledge, 1997), 3