"Extend the sphere": Charles Willson Peale's Panorama of Annapolis

Art Bulletin

Volumn 86, Issue 3, 2004, Pages 529-549

  Bellion, Wendy ^a,b,c  

^a UNIVERSITY OF DELAWARE   (United States)

^b Dept of Economics and Thomas Jefferson Program in Public Policy at the College of William and Mary

^c OIEAHC   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 60950722405     PISSN: 00043079     EISSN: None     Source Type: Journal    
DOI: 10.2307/4134445     Document Type: Article

References (7)

1. Bailyn, Bernard, The Debate on the Constitution: Federalist and Antifederalist Speeches, Articles, and letters during the Struggle over Ratification, pts. 1, 2 (New York: Library of America, 1993)
2. Hyde, Ralph, Panoramania! The Art and Entertainment of the "All-Embracing" View (London: Trefoil Publications in association with Barbican Art Gallery, 1988)
3. Kemp, Martin, The Science of Art: Optical Themes in Western Art from Brunelleschi to Seurat (New Haven: Yale University Press, 1990)
4. Miller, Lillian B., et al., eds., The Selected Papers of Charles Willson Peale and His Family, 5 vols. (New Haven: Yale University Press, 1983-2000)
5. Oettermann, Stephan, The Panorama: History of a Mass Medium, trans. Deborah Lucas Schneider (New York: Zone Books, 1997)
6. Richardson, Edgar P., Lillian B. Miller, and Brooke Hindle, Charles Willson Peale and His World (New York: Harry N. Abrams, 1982)
7. Slauter, Eric, "The State as a Work of Art: Politics and the Cultural Origins of the Constitution," Ph.D. diss., Stanford University, 2000