Inventing historical truth on the silver screen

Cineaste

Volumn 29, Issue 2, 2004, Pages 29-33

  Rosenstone, Robert A ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 60950656365     PISSN: 00097004     EISSN: None     Source Type: Journal    
DOI: None     Document Type: Article

References (8)

1. F.R. Ankersmit, "Historiography and Postmodernism," History and Tropology (Berkeley and Los Angeles, CA: University of California Press, 1994), pp. 162-181
2. Robert A. Rosenstone, "Oliver Stone as Historian," in Robert Toplin, ed., Oliver Stone's USA: Film, History, and Controversy (Lawrence: University Press of Kansas, 2000), pp. 26-39
3. "Walker: The Dramatic Film as Historical Truth," Film Historia, 2, No. 1 (1992), pp. 3-12
4. reprinted in Robert A. Rosenstone, Visions of the Past: The Challenge of Film to Our Idea of History (Cambridge, MA: Harvard University Press, 1995), pp. 132-151
5. "October as History," Rethinking History': Vie Journal ofTlie-ory and Practice, 5 (Summer 2001), pp. 255-274
6. Andrew Horton, The Films of Theo Angclopoulos: A Cinema of Contemplation (Princeton, NJ: Princeton University Press, 1997), pp. 55-57
7. Marcia Landy, Italian Film (Cambridge, MA: Cambridge University Press, 2000), p. 165
8. Marc Ferro, translated by Naomi Greene, Cinema and History (Detroit, MI: Wayne State University Press, 1988), pp. 161-163