Debate: 'I clipped your wing, that's all': Auto-erotism and the female spectator in the Piano debate

Screen

Volumn 37, Issue 2, 1996, Pages 193-205

  Gordon, Suzy ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 60950653932     PISSN: 00369543     EISSN: None     Source Type: Journal    
DOI: 10.1093/screen/37.2.193     Document Type: Article

References (10)

1. Sigmund Freud, Beyond the Pleasure Principle (1920), Penguin Freud Library, vol. 11 (London: Penguin, 1991), p. 285
2. Jean Laplanche and Jean-Bertrand Pontalis (1973), The Language of Psychoanalysis (London: Hogarth Press, 1973), p. 46
3. The Seminar of Jacques Lacan, Book 1: Freud's Papers on Technique 1953-4 (Cambridge and New York Cambridge University Press, 1988), esp. pp. 289-97
4. Stella Bruzzi, 'Tempestuous petticoats: costume and desire in The Piano'. Screen, vol. 36, no. 3 (1995), p. 257
5. Sue Gillett, 'Lips and fingers: Jane Campion's The Piano', Screen, vol. 36, no. 3 (1995), p. 281
6. Jean Laplanche and Jean-Bertrand Pontalis, 'Fantasy and the origins of sexuality' (1964), in Victor Burgin, James Donald and Cora Kaplan (eds), Formations of Fantasy (London and New York: Methuen, 1986), p. 11
7. Kerryn Goldsworthy, 'What music is', Arena magazine, no. 8 (1993), p. 47
8. Mary Ann Doane, 'Film and the masquerade: theorising the female spectator', Screen, vol. 23, nos 3-4 (1982), pp. 74-87
9. Linda Dyson, The return of the repressed? Whiteness, femininity and colonialism in The Piano', Screen, vol. 36, no. 3 (1995), p. 269
10. Kaja Silverman, 'Masochism and subjectivity', Framework, no. 12 (1980), p. 6