Performance, post-border art, and urban geography

PAJ - Journal of Performance and Art

Volumn 29, Issue 2, 2007, Pages 31-39

  Klein, Jennie ^a  

^a OHIO UNIVERSITY   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 60950622684     PISSN: 1520281X     EISSN: 15379477     Source Type: Journal    
DOI: 10.1162/pajj.2007.29.2.31     Document Type: Article

References (6)

1. Krichman and Sánchez were quoted in Robert L. Pincus, "Transborder Exhibitions Aims to Redefine Relationship Between Art and Public," San Diego Union Tribune (August 21, 2005)
2. Sánchez resigned from the Museo Tamayo in late 2001 when pressured by the Instituto Nacional de Bellas Artes in Mexico (the same institution that helped sponsor inSITE) to host an exhibition of the work of a Mexican realist painter. For more on this controversy, see José Manuel Springer, "Osvaldo Sánchez Resigned Museo Rufino Tamayo, México, D.F." Art Nexus 43 (January/March 2002): 27
3. See Jo-Anne Berelowitz, "inSITE 97," New Art Examiner 25 (February 1998): 41-43
4. Berelowitz, "The spaces of home in Chicano and Latino representations of the San Diego-Tijuana borderlands (1968-2002)," Environment & Planning D: Society & Space 23,3 (June 2005): 323-350
5. Leah Ollman, "Losing Ground: Public Art at the Border - inSITE program," Art in America 89,5 (May 2001), 69-71
6. and Jennie Klein, "inSITE 94," New Art Examiner 22,8 (April 1995): 54-57