Femme fatale - Negotiations of tragic desire

New Literary History

Volumn 35, Issue 1, 2004, Pages 103-116

  Bronfen, Elisabeth ^a  

^a UNIVERSITY OF ZURICH   (Switzerland)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 60950599848     PISSN: 00286087     EISSN: 1080661X     Source Type: Journal    
DOI: 10.1353/nlh.2004.0014     Document Type: Article

References (12)

1. Stanley Cavell, "The Avoidance of Love: A Reading of King Lear," in Must We Mean What We Say? (Cambridge: Cambridge University Press, 1976), 310; hereafter cited in text as AL
2. Vivian Sobchack, "Lounge Time: Postwar Crises and the Chrouotope of Film Noir," in Refiguring American Film Genres: Theory and History, ed. Nick Browne (Berkeley: University of California Press, 1998), 130
3. Mladen Dolar, "The Object Voice," in Sic 1: Gaze and Voice as Love Objects (Durham: Duke University Press, 1996), 131
4. Paula Rabinowitz, Black & White & Noir: America's Pulp Modernism (New York: Columbia University Press, 2002), 143
5. Joan Copjec, "The Phenomenal Nonphenomenal: Private Space in Film Noir," in Shades of Noir, ed. Joan Copjec (London: Verso, 1993), 193
6. Slavoj Zizek, Enjoy Your Symptom! Jacques Lacan in Hollywood and Out (New York: Routledge, 1992), 154
7. Laura Mulvey, Fetishism and Curiosity (London: BFI, 1996), 64
8. Jacques Lacan, The Four Fundamental Concepts of Psycho-Analysis, ed. Jacques-Alain Miller, trans. Alan Sheridan (New York: Norton, 19/3), 213
9. Janey Place, "Women in film noir," in Women in Film Noir, ed. E. Ann Kaplan (London: BFI, 1980), 35; hereafter cited in text as WFN
10. Sylvia Harvey, "Women's Place," in Women in Film Noir, ed. E. Ann Kaplan (London: BFI Publishing, 1980), 31
11. Mary Ann Doane, Femmes Fatales: Feminism, Film Theory, Psychoanalysis (New York: Routledge, 1991), 2-3
12. Elizabeth Cowie, "Film Noir and Women," in Shades of Noir, ed. Joan Copjec (London: Verso, 1993), 125