Anti-theatrical Prejudice and the Persistence of Performance: The Lord Chamberlain’s Plays and Correspondence Archive

Performance Research

Volumn 7, Issue 4, 2002, Pages 50-58

  Dreyblatt, Arnold ^a  

^a NONE

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[No Author keywords available]

Indexed keywords

EID: 60950516857     PISSN: 13528165     EISSN: None     Source Type: Journal    
DOI: 10.1080/13528165.2002.10871891     Document Type: Article

References (26)

1. Barish, Jonas (1981) The Anti-Theatrical Prejudice, Berkeley: University of California Press.
2. Baxter, Beverley (1944) ‘Author Commits the Unpardonable Sin’, Evening Standard, 23 September.
3. Butler, Judith (1990) Gender Trouble: Feminism and the Subversion of Identity, London and New York: Routledge.
4. Butler, Judith (1993) Bodies that Matter: On the Discursive Limits of ‘Sex’, London and New York: Routledge. Daily Sketch (1944) 20 September.
5. Dearmer, Geoffrey (1944) Report, Lord Chamberlain’s correspondence file for Felicity Jasmine, 19 June.
6. Deeney, John F. (2000) ‘Censoring the Uncensored: the Case of Children in Uniform’, NTQ63: 219-26.
7. De Jongh, Nicholas (1992) Not in Front of the Audience, London and New York: Routledge.
8. De Jongh, Nicholas (2000) Politics, Prudery and Perversions: The Censoring of the English Stage 1901-1968, London: Methuen.
9. Derrida, Jacques (1995) Archive Fever: A Freudian Impression, trans. Eric Prenowitz, Chicago and London: University of Chicago Press.
10. Florance, John (1980) ‘Theatrical Censorship in Britain 1901-1968’, unpublished thesis, Cardiff: University of Wales.
11. Foucault, Michel (1997/1999) The Archaeology of Knowledge, trans. A. M. Sheridan Smith, London and New York: Routledge.
12. Freshwater, Helen (2001) ‘Suppressed Desire: Inscriptions of Lesbianism in the British Theatre of the 1930s’, NTQ68: 310-18.
13. Freshwater, Helen (forthcoming) ‘The Allure of the Archive’, Poetics Today.
14. Game, Henry (1944) Memorandum to the Lord Chamberlain, Lord Chamberlain’s correspondence file for Felicity Jasmine, 26 September.
15. Heriot, Charles (1964) Report, Lord Chamberlain’s correspondence file for A Patriot for Me, 30 August.
16. Hill, Robert (1966), Memorandum to the Lord Chamberlain, Lord Chamberlain’s correspondence file for A Patriot for Me, 11 May.
17. Joint Select Committee of the House of Lords and the House of Commons on the Stage Plays (Censorship) (1909) Report from the Joint Select Committee of the House of Lords and the House of Commons on the Stage Plays (Censorship) together with the Proceedings of the Committee, Minutes and Appendices, London: Government Publications.
18. Malet, Mrs Robert (1944) Letter to the Lord Chamberlain, Lord Chamberlain’s correspondence file for Felicity Jasmine, 2 August.
19. Miller, Jonathan (1967) ‘Censorship’, The Guardian, 16 October.
20. O’Higgins, Paul (1972) Censorship in Britain, London: Nelson.
21. Rebellato, Dan (1999) 1956 and All That: The Making of Modern British Drama, London: Routledge.
22. Schneider, Rebecca (2001) ‘Performance Remains’, Performance Research 6(2): 100-8.
23. Sherry, Gordon (1944) Letter to G. Titman, Lord Chamberlain’s correspondence files for Felicity Jasmine, 4 October.
24. Sinfield, Alan (1991) ‘Private Lives/Public Theater’, Representations 36: 43-63.
25. Sinfield, Alan (1999) Out on Stage: Lesbian and Gay Theatre in the Twentieth Century, New Haven and London: Yale University Press.
26. Titman, George (1944) Memo to the Lord Chamberlain, Lord Chamberlain’s correspondence file for Felicity Jasmine, 25 September.