Action, performance and freedom in Hannah Arendt and Friedrich Nietzsche

International Studies in Philosophy

Volumn 37, Issue 3, 2005, Pages

  Siemens, H W ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 60950493850     PISSN: 02705664     EISSN: None     Source Type: Journal    
DOI: 10.5840/intstudphil20053738     Document Type: Article

References (5)

1. Dana Villa, "Beyond Good and Evil. Arendt, Nietzsche, and the Aestheticization of Political Action," Political Theory 20/2 (May 1992) 274-308.
2. Philippe Lacoue-Labarthe: Heidegger, Art and Politics, trans. Chris Turner (Oxford, Blackwell: 1990).
3. Volker Gerhardt, "Das Prinzip des Gleichgewichts," Nietzsche-Studien 12 (1983): 111-133.
4. See Stephen Halliwell, The Poetics of Aristotle, translation and commentary (London: Duckworth, 1987), p. 74.
5. In his "Mitteilung an meine Freunde" (1851), Wagner concentrates his views on art in a (re)definition of genius around what he calls "power of active receiving" (die Kraft des Empfängnisvermö gens) ibid., p. 217;