Beyond a "taxonomic theater": Interculturalism after postcolonialism and globalization

Theater

Volumn 32, Issue 1, 2002, Pages 33-47

  Chaudhuri, Una ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 60950382138     PISSN: 01610775     EISSN: None     Source Type: Journal    
DOI: 10.1215/01610775-32-1-33     Document Type: Review

References (9)

1. Three major critical anthologies on interculturalism were E. Fischer-Lichte, J. Riley, and M. Gissenwherer, eds., The Dramatic Touch of Difference: Theater, Own and Foreign (Tubingen: Guneter Nar, 1990)
2. Patrice Pavis, Performance at the Crossroads of Culture (London: Routledge, 1992)
3. and B. Marranca and G. Dasgupta, Interculturalism and Performance (New York: PAJ, 1992)
4. Rustom Bharucha, Theater and the World:Performance and the Politics of Culture (London: Routledge, 1993)
5. Pheng Cheah, "Given Culture: Rethinking Cosmopolitan Freedom in Transnationalism," in Cosmopolitics: Thinking and Feeling beyond the Nation, ed. Pheng Cheah and Bruce Robbins (Minneapolis: University of Minnesota Press, 1998), 301
6. On December 6, 1992, mobs of Hindu fundamentalists destroyed a Muslim shrine, the Babri Masjid, in the town of Ayodhya, reputed birthplace of the Hindu god Krishna, claiming that it occupied the site of an ancient Hindu temple. As Bharucha points out, the destruction of the Babri Masjid made the issue of secular identity particularly complex and urgent in contemporary India
7. Hannah Scolnikov and Peter Holland, eds., The Play out of Context: Transferring Plays from Culture to Culture (Cambridge: Cambridge University Press, 1985)
8. Phillip Zarrilli, "For Whom Is the King a King? Issues of Interculrural Production, Perception, and Reception in a Kathakali King Lear," in Critical Theory and Performance, ed.J. G. Reinelt and J. R. Roach (Ann Arbor: University of Michigan Press, 1992), 16
9. The phrase "identity space" is Jonathan Friedman's, from his Cultural Identity and Global Process (London: Sage, 1994)