Marina Abramović: Witnessing shadows

Theatre Journal

Volumn 56, Issue 4, 2004, Pages 569-577

  Phelan, Peggy ^a  

^a STANFORD UNIVERSITY   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 60950338479     PISSN: 01922882     EISSN: 1086332X     Source Type: Journal    
DOI: 10.1353/tj.2004.0178     Document Type: Article

References (24)

1. Steven Henry Madoff, "A Viewable Fast, Enforced by Knives," New York Times 10 November 2002
2. Roberta Smith, "When Seeing Is Not Only Believing, but Also Creating," New York Times 22 November 2002
3. Steven Henry Madoff, "Reflecting on an Ordeal That Was Also Art," The New York Times 28 November 2002
4. Catherine Saint Louis, "What Were They Thinking: The Way We Live Now," New York Times Magazine 15 December 2002
5. Marina Abramović, Artist Body: Performances 1969-1998 (Milan: Charta, 1998)
6. Adrian Piper, "Talking to Myself: The Ongoing Autobiography of an Art Object," in Out of Order, Out of Sight: Selected Writings in Meta-Art, 1968-1992, Volume 1 (Cambridge: MIT Press, 1996), 40
7. http://www.petzel.com
8. Jerry Saltz, "Super Theory Woman." http://www.Artnet.com (July 2004)
9. E-mail reply from Maureen Sarro, Director, Friedrich Petzel Gallery, 20 July 2004
10. Andy Warhol, The Philosophy of Andy Warhol: From A to B and Back Again (New York: Harcourt Brace & Company, 1975), 92
11. Julian Schnabel, "Preface," Andy Warhol: Shadow Paintings (New York: Gagosian Gallery, 1989), 4
12. Wallace Stevens, "The Snow Man," in Harmonium (New York: Alfred A. Knopf, 1923), 24
13. Trevor Fairbrother, "Skulls," in The Work of Andy Warhol (Seattle: Bay Press, 1989), 95-114
14. Lynne Cooke, "Andy Warhol's Shadows," http://www.diachelsea.org /exhibs/warhol/shadows/
15. Thomas McEvilley, "Performing the Present Tense," in Marina Abramović: The House with the Ocean View (Milan: Charta, 2003), 167-69
16. Emmanuel Levinas, Ethics and Infinity: Conversations with Philippe Nemo, trans. Richard Cohen (Pittsburgh: Duquense University Press, 1985)
17. Peggy Phelan, "The ontology of performance: representation without reproduction," in Unmarked: the politics of performance (New York: Routledge, 1993), 146-66
18. "Performance, live culture and things of the heart: Peggy Phelan in conversation with Marquard Smith," The Journal of Visual Culture 2(3) (2003): 291-302
19. Jacques Lacan, "The Signification of the Phallus" in Écrits: A Selection, trans. Alan Schneider (New York: W. W. Norton " Company, 1977), 281-92
20. RoseLee Goldberg, "The Theater of the Body," in Marina Abramović: The House with the Ocean View (Milan: Charta, 2003), 157
21. James Westcott, "Marina Abramović: The House with the Ocean View," The Drama Review 47.3 (T179): 129-36
22. Laurie Anderson, "Marina Abramović," Bomb Magazine 84, http://www.bombsite.com/abramovic/abramovic.html.
23. Peggy Phelan, "On Seeing the Invisible," in Marina Abramović: The House with the Ocean View (Milan: Charta, 2003), 171-79.
24. Live, ed. Adrian Heathfield (London: The Tate Modern, 2004)