The politics and aesthetics of recording: A comparative Canadian case study of powwow and contemporary Native American Music

World of Music

Volumn 44, Issue 1, 2002, Pages 41-59

  Scales, Christopher A ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 60950305819     PISSN: 00438774     EISSN: None     Source Type: Journal    
DOI: None     Document Type: Article

References (37)

1. Adorno, Theodore 1976 Introduction to the Sociology of Music. New York: Seabury Press
2. Adorno, Theodore 1990 "On Popular Music." In On Record: Rock, Pop, and the Written Word, Simon Frith and Andrew Goodwin, eds. London: Routledge, 301-314
3. Adorno, Theodore 1991 The Culture Industry: Selected Essays on Mass Culture. J. Bernstein, ed. London: Routledge
4. Bourdieu, Pierre and Loïc Waquant 1992 An Invitation to Reflexive Sociology. Chicago: University of Chicago Press
5. Browner, Tara 2000 "Making and Singing Pow-wow Songs: Text, Form, and the Significance of Culture-based Analysis." Ethnomusicology, 44(2):214-233
6. Chapple, Steve and Reebee Garafalo 1977 Rock n' Roll is Here to Pay: The History and Politics of the Music Industry. Chicago: Nelson Hall
7. Cher 1998 Believe. Warner Brothers, WEA 47121
8. Desrosiers, Gabe 1999 October. Interview with author
9. Donovan, Mishi 2000 Journey Home. Arbor Records, AR-11192
10. Friesen, Brandon 1999 October. Interviews with Author
11. Frith, Simon 1991 "The Good, the Bad and the Indifferent: Defending Popular Culture from the Populists." Diacritics, 21(4):102-115
12. Frith, Simon 1996 Performing Rites: On the Value of Popular Music. Cambridge: Harvard University Press
13. Frith, Simon and Howard Horne 1987 Art into Pop. London: Methuen
14. Garafalo, Reebee 1993 "Whose World, What Beat?: The Transnational Music Industry, Identity, and Cultural Imperialism." Ethnomusicology, 35(2):16-31
15. Gray, Herman 1988 Producing Jazz: The Experience of an Independent Record Company. Philadelphia: Temple University Press
16. Grossberg, Lawrence 1992 We Gotta Get Out of This Place: Popular Conservatism and Postmodern Culture. New York: Routledge
17. Guilbault, Jocelyne 1993 "On Redefining the 'Local' Through World Music." Ethnomusicology, 35(2):33-47
18. Harker, David 1980 One for the Money: Politics and Popular Song. London: Hutchison
19. Hatton, Thomas 1974 "Performance Practices of Northern Plains Pow-Wow Singing Groups." Department of Music, Institute of Latin American Studies, University of Texas at Austin, Yearbook, 123-37
20. Hatton, Orin 1986 "In the Tradition: Grass Dance Musical Style and Female Pow-Wow Singers." Ethnomusicology, 30(2):197-222
21. Kennedy, Rick and Randy McNutt 1999 Little Labels-Big Sounds: Small Record Companies and the Rise of American Music. Bloomington: Indiana University Press
22. Lassiter, Luke 1998 The Power of Kiowa Song: A Collaborative Ethnography. Tucson: University of Arizona Press
23. Lee, Steven 1995 "Re-examining the Concept of the 'Independent' Record Company: The Case of Wax Trax! Records." Popular Music, 14(1):13-32
24. Manuel, Peter 1991 "Salsa and the Music Industry: Corporate Control or Grassroots Expression?", In Essays on Cuban Music, Peter Manuel, ed. Lanham: University of America Press, 157-180
25. Meintjes, Louise 1990 "Paul Simon's Graceland, South Africa, and the Mediation of Musical Meaning." Ethnomusicology, 34(1):37-73
26. Meintjes, Louise 1997 "Mediating Difference: Producing Mbaqanga Music in a South African Studio." Unpublished Ph.D Dissertation: University of Texas at Austin
27. Negus, Keith 1992 Producing Pop: Culture and Conflict in the Popular Music Industry. London: Edward Arnold
28. Negus, Keith 1996 Popular Music in Theory. Hanover: Wesleyan University Press
29. Negus, Keith 1999 Music Genres and Corporate Cultures. New York: Routledge
30. Peterson, Richard 1976 "The Production of Culture: A Prolegomenon." In The Production of Culture. Richard Peterson, ed. London: Sage, 7-22
31. Peterson, Richard 1997 Creating Country Music: Fabricating Authenticity. Chicago: University of Chicago Press
32. Porcello, Thomas 1996 "Sonic Artistry: Music, Discourse, and Technology in the Sound Recording Studio." Unpublished Ph.D. Dissertation: University of Texas at Austin
33. Powers, William 1990 War Dance: Plains Indian Musical Performance. Tucson: University of Arizona Press
34. Swartz, David 1997 Culture and Power: The Sociology of Pierre Bourdieu. Chicago: The University of Chicago Press
35. The Northern Wind Singers 1999 21st Century. Arbor Records, AR-11122
36. Voices of Native America 1995 Various Artists Q UP ART, QUA-20-450
37. Wallis, Roger and Krister Malm 1984 Big Sounds from Small Peoples: The Music Industry in Small Countries. New York: Pendragon Press