Performance at a transposed keyboard by possessor and non-possessor of absolute pitch

Bulletin of the Council for Research in Music Education

Volumn , Issue 157, 2003, Pages 18-23

  Mito, Hiromichi ^a  

^a MIYAGI UNIVERSITY OF EDUCATION   (Japan)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 60950094225     PISSN: 00109894     EISSN: None     Source Type: Journal    
DOI: None     Document Type: Article

References (8)

1. MacNaught, W. G. (1899-1900). The Psychology of Sight-singing. In Proceedings of the musical association, xxvi, 35, 35-55
2. Mito, H. (1997). Detection of modified pitches in well-learned musical pieces by absolute pitch possessors. Memoirs of the Faculty of Education Niigata University, 39, 193-201
3. Miyazaki, K. (1992). Perception of musical intervals by absolute pitch possessors. Music Perception, 9, 413-426
4. Miyazaki, K. (1993). Absolute pitch as an inability: identification of musical intervals in tonal context. Music Perception, 11, 55-72
5. Miyazaki, K. (1999). The Cognitive process of musical pitch by absolute-pitch listeners. Report of Research Project, Grant-in-Aid for Scientific Research (C), 1997-1998 (in Japanese)
6. Miyazaki, K., & Rakowski, A. (in press). Recognition of notated melodies by possessors and non-possessors of absolute-pitch. Perception & Psychophysics
7. Sergent, D. (1969). Experimental investigation of absolute pitch. Journal of Research in Music Education, 17(1), 135-143
8. Tokawa, S. (1985). Idoudo no susume [Recommendation of Movable Do.], Tokyo: Ongaku-no-tomosha