Remembering the future: Terence Davies and the paradoxes of time

Film Studies

Volumn 2006, Issue 9, 2006, Pages 29-39

  Everett, Wendy ^a  

^a NONE

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Indexed keywords

EID: 60950079970     PISSN: 14690314     EISSN: None     Source Type: Journal    
DOI: None     Document Type: Article

References (26)

1. André Bazin, What is Cinema? (University of California Press, 1967), p. 14.
2. Mary Ann Doane, The Emergence of Cinematic Time. Modernity, Contingency, The Archive (Harvard University Press, 2002), p. 22.
3. Doane, The Emergence of Cinematic Time, p. 4.
4. Gilles Deleuze and Felix Guattari, Mille Plateaux: Capitalisme et schizophrénie (Minuit, 1980), p. 322.
5. Steven Hawking, The Universe in a Nutshell. (Bantam Press, 2001), pp. 36-41. My emphasis.
6. Hawking, The Universe in a Nutshell, pp. 61-3.
7. Paul Ricoeur, Time and the Narrative (University of Chicago Press, 1984), p. 71.
8. Ricoeur, Time and the Narrative, p. 76.
9. Paul Monacco, Ribbons in Time (Indiana University Press, 1987), p. 110.
10. Dennis Potter, Potter on Potter (Faber and Faber, 1993), p. 84-5.
11. Georges Gusdorf, 'Conditions and Limits of Autobiography', in James Olney, (ed.), Autobiography: Essays Critical and Theoretical (Princeton University Press, 1980), pp. 43-4.
12. Terence Davies, A Modest Pageant (Manchester University Press, 1992), p. xi.
13. Gusdorf, 'Conditions and Limits of Autobiography', pp. 43-4.
14. Davies, A Modest Pageant, p. xi
15. For a detailed analysis of this shot and, indeed, the entire film, see Wendy Everett, Terence Davies (Manchester University Press, 2004), pp. 37-66; 188-95.
16. Gilles Deleuze, Cinema II: The Time-Image (Athlone Press, 1989), p. 17.
17. Roland Barthes, Camera Lucida: Reflections on Photography (Fontana, 1984), p. 78.
18. Barthes, Camera Lucida, p. 91.
19. Susan Sontag, On Photography (Penguin Books, 1979), p. 73.
20. Wendy Everett, 'Timetravel in European film', in Wendy Everett (ed.), European Identity in Film (Intellect, 2005), pp.107-15. p.107. Second edition.
21. Deleuze, The Time-Image, p. 81.
22. Rosemary Lloyd, Shimmering in a Transformed Light. Writing the Still Life (Cornell University Press, 2005), p. 40.
23. Lloyd, Shimmering in a Transformed Light, p. 40.
24. Everett, Terence Davies, p. 204.
25. Anthony Storr, Music and the Mind (Harper Collins, 1997), pp.171-73.
26. Wendy Everett, 'Between Here and There, Between Then and Now': The Theme of Border Crossings in the Films of Theo Angelopoulos', in Peter Wagstaff (ed.). Border Crossings. Mapping Identities in Modern Europe (Peter Lang, 2004), pp. 55-80, pp. 74-77.