Stage management, dramaturgy and spatial semiotics in Shakespeare's dialogue

Theatre Research International

Volumn 24, Issue 1, 1999, Pages 1-22

  Fitzpatrick, Tim ^a  

^a UNIVERSITY OF SYDNEY   (Australia)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 60950047134     PISSN: 03078833     EISSN: None     Source Type: Journal    
DOI: 10.1017/s030788330002023x     Document Type: Review

References (38)

1. Carol Rutter, Documents of the Rose Playhouse (Manchester: Manchester University Press, 1984), p. 91
2. I. Smith, 'Their Exits and Reentrances,' Shakespeare Quarterly 18 (1967), pp. 7-16
3. Peter Thomson, Shakespeare's Theatre, 2nd edn. (London: Routledge, 1992), pp. 136-60
4. Bernard Beckerman, 'Theatrical Plots and Elizabethan Stage Practice', in Shakespeare and Dramatic Tradition, eds W.R. Elton and William B. Long (Newark: University of Delaware Press, 1989), pp. 109-24
5. Mariko Ichikawa, 'Entrances and exits in Shakespeare's plays: The usage of the upstage doors'
6. Christine Eccles, The Rose Theatre (London: Nick Hern Books, 1990)
7. Franklin J. Hildy (ed.), New Issues in the Reconstruction of Shakespeare's Theatre (New York: P. Lang, 1991)
8. Thomas J. King, Shakespearian Staging 1599-1642 (Cambridge Mass.: Harvard University Press, 1971)
9. Richard Hosley, in The Revels History of Drama in English, Vol. III (London: Methuen, 1975)
10. Herbert Berry, The Boar's Head Playhouse (Washington, Folger Shakespeare Library, 1986)
11. Andrew Gurr, The Shakespearian Stage 1574-1642, 3rd edition (Cambridge: Cambridge University Press, 1992) pp. 172-211
12. Andrew Gurr, 'Staging at the Globe', in Shakespeare's Globe Rebuilt, eds. J.R. Mulryne and Margaret Shewring (Cambridge: Cambridge University Press, 1997), pp. 159-68
13. David Bradley, From Text to Performance in the Elizabethan Theatre: Preparing the Play for the Stage (Cambridge: Cambridge University Press, 1992), pp. 32-3
14. Tim Fitzpatrick, 'The Fortune Contract and Hollar's Original Drawing of Southwark: Some Indications of a Smaller First Globe', Shakespeare Bulletin 14, no. 4 (Fall 1996), pp. 5-10
15. Tim Fitzpatrick, 'Shakespeare's Exploitation of a Two-door Stage: Macbeth', Theatre Research International 20, no. 3 (Autumn 1995), pp. 207-30
16. Brian Gibbons, 'The Question of Place'
17. Ben Jonson's Every Man In His Humour
18. Alan Dessen, Elizabethan Stage Conventions and Modern Interpreters (Cambridge: Cambridge University Press, 1984)
19. Recovering Shakespeare's Theatrical Vocabulary (Cambridge: Cambridge University Press, 1995)
20. Barnabe Barnes, The Devil's Charter
21. Ben Jonson, The Alchemist
22. Volpone
23. John Webster, The Duchess of Malfi
24. Thomas Middleton, The Revenger's Tragedy
25. The Atheist's Tragedy
26. Henry VI, II.i.40
27. W. Smith, Shakespeare's Playhouse Practice (Hanover, N.H.: University Press of New England, 1975)
28. Andrew Gurr ('Staging at the Globe', p. 161-2)
29. Pericles, V.i;
30. Coriolanus, V.ii-iii
31. Love's Labour's Lost, V
32. In As You Like It, I.iii
33. Richard III, V.iii
34. Michael Ewans, ed., The Oresteia (London: J.M. Dent, Everyman, 1995), p. xxxviii
35. J.M. Lothian and T.W. Craik, eds, Twelfth Night (London: Methuen, 1975), p. 82
36. Leslie Hotson, The First Night of "Twelfth Night' (London & New York, 1954), p. 139
37. Julius Caesar, II.i
38. John Orrell, 'The Polarity of the Globe's Stage'