Film gris: Crime, critique and cold war culture in 1951

Film Criticism

Volumn 26, Issue 3, 2002, Pages 1-30

  Maland, Charles J ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 60949871355     PISSN: 01635069     EISSN: None     Source Type: Journal    
DOI: None     Document Type: Article

References (33)

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2. Booker, M. Keith. Film and the American Left. Westport, CT: Greenwood, 1999
3. Buhle, Paul, and David Wagner. A Very Dangerous Citizen: Abraham Lincoln Polonsky and the Hollywood Left. Berkeley: U of California P, 2001
4. Buhle, Paul, and Patrick McGilligan. Tender Comrades: A Backstory of the Hollywood Blacklist. New York: St. Martin's, 1997
5. Caute, David. Joseph Losey: A Revenge on Life. London: Faber and Faber, 1994
6. Ceplair, Larry, and Steven Englund. Inquisition in Hollywood: Politics in the Film Community, 1930-1960. Berkeley: U of California P, 1983
7. Ciment, Michel. Conversations with Losey. London: Methuen, 1985
8. Cook, Bruce. Dalton Trumbo. New York: Scribner's, 1977
9. Crowther, Bosley. "He Ran All the Way." New York Times 21 June 1951:24
10. Denning, Michael. The Cultural Front: The Laboring of American Cultuire in the Twentieth Century. New York: Verso, 1996
11. Farber, Manny. "He Ran All the Way." Nation 173 (13 July 1951): 38
12. Hartung, Philip. "The Prowler." Commonweal 54 (29 June 1951): 286
13. Hatch, Robert. "The Prowler." New Republic 124 (4 June 1951): 23
14. -. "He Ran All the Way." New Republic 125 (16 July 1951): 23
15. Krutnik, Frank. In a Lonely Street: Film noir, Genre, Masculinity. London: Routledge, 1991
16. McGilligan, Patrick. "John Berry, Man of Principal." Film Comment 31 (May/June 1995): 46-61
17. Munby, Jonathan. Public Enemies, Public Heroes: Screening the Gangster from Little Caesar to Touch of Evil. Chicago: University of Chicago Press, 1999
18. n.a. "The Prowler." Variety 2 Apr 1951: 6
19. -. "The Prowler." Time 57 (4 June 1951): 100, 102
20. -. "He Ran All the Way." Variety 6 June 1951: 6
21. -. "He Ran All the Way." Time 57 (25 June 1951): 90
22. Naremore, James. More Than Night: Film noir in Its Contexts. Berkeley: U of California P, 1998
23. Neale, Steve. Genre and Hollywood. London: Routledge, 2000
24. Neve, Brian. Film and Politics in America: A Social Tradition. London: Routledge, 1992
25. Palmer, James and Michael Riley. The Films of Joseph Losey. Cambridge: Cambridge UP, 1993
26. Polonsky, Abraham. "Introduction." The Films of John Garfield. Howard Gelman. New York: Lyle Stuart, 1974
27. Schatz, Thomas. Boom or Bust: The American Cinema in the 1940s. New York: Scribners, 1997
28. Schrader, Paul. "Notes on Film noir." Film noir Reader. Alain Silver and James Ursini. New York: Limelight Editions, 1996. 53-64
29. Sklar, Robert. City Boys. Princeton: Princeton UP, 1992
30. Sobchack, Vivian. "Lounge Time: Postwar Crises and the Chronotype of Film noir." Refiguring American Film Genres. Nick Browne. Berkeley: U of California P, 1998
31. Swindell, Larry. Body and Soul: The Story of John Garfield. New York: Morrow, 1975
32. Trumbo, Dalton. Additional Dialogue: Letters of Dalton Trumbo, 1942-1962. New York: Evans, 1970
33. Weiler, A. H. "The Prowler." New York Times 2 July 1951: 16