Musical ontology and the argument from creation

British Journal of Aesthetics

Volumn 41, Issue 3, 2001, Pages 279-290

  Predelli, Stefano ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 60949853480     PISSN: 00070904     EISSN: None     Source Type: Journal    
DOI: 10.1093/bjaesthetics/41.3.279     Document Type: Article

References (22)

1. Jerrold Levinson, 'What a Musical Work Is, Journal of Philosophy, vol. 77 (1980),
2. reprinted in Jerrold Levinson, Music, Art, and Metaphysics (Ithaca, NY: Cornell U.P., 1990), p. 88.
3. See for instance Peter Kivy, 'Platonism in Music: A Kind of Defense', Grazer philosophische Studien, vol. 19 (1983),
4. reprinted in Peter Kivy, The Fine Art of Repetition (Cambridge: Cambridge U.P., 1993);
5. idem, 'Platonism in Music: Another Kind of Defense', American Philosophical Quarterly, vol. 24 (1987),
6. idem, 'Orchestrating Platonism', in T. Anderberg, T. Nilstun, and I. Persson (eds), Aesthetic Distinction: Essays Presented to Göran Hermerén on His 50th Birthday (Lund: Lund U.P., 1988),
7. Levinson, 'What a Musical Work Is' and 'What a Musical Work Is, Again', in Music Art and Metaphysics;
8. Stephen Davies, 'The Ontology of Musical Works and the Authenticity of their Performances', Nous, vol. 25 (1991).
9. Levinson, 'What a Musical Work Is', p. 66.
10. Kivy, 'Platonism in Music';
11. David Woodruff, 'Creation and Discovery in Musical Works', Pacific Philosophical Quarterly, vol. 77 (1996);
12. Julian Dodd, 'Musical Works as Eternal Types', British Journal of Aesthetics, vol. 40 (2000).
13. Gregory Currie, 'Work and Text', Mind, vol. 100 (1991), p. 328.
14. See also John A. Fisher, 'Discovery, Creation, and Musical Works', Journal of Aesthetics and Art Criticism, vol. 49 (1991).
15. Gregory Currie, An Ontology of Art (New York: St Martin's Press, 1989), pp. 63-64.
16. Currie, Ontology of Art, p. 62.
17. Harry Deutsch, 'The Creation Problem', Topoi, vol. 10 (1991). Cited in text by page number hereafter.
18. For a discussion of this issue, see Renée Cox, 'Are Musical Works Discovered?', Journal of Aesthetics and Art Criticism, vol. 43 (1985).
19. See also Dodd, 'Musical Works as Eternal Types'.
20. Levinson, 'What a Musical Work Is, Again', pp. 260-261.
21. Nicholas Wolterstorff, Works and Worlds of Art (Oxford: Clarendon Press, 1980), p. 88.
22. James C. Anderson, 'Musical Kinds', British Journal of Aesthetics, vol. 25 (1985), p. 47.