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Volumn 26, Issue 4, 2004, Pages 23-48

Peopling the portholes: National identity and maritime museums in the U.S. and U.K.

Author keywords

[No Author keywords available]

Indexed keywords


EID: 60949749681     PISSN: 02723433     EISSN: None     Source Type: Journal    
DOI: 10.1525/tph.2004.26.4.23     Document Type: Review
Times cited : (11)

References (93)
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    • the special issue of Daedalus
    • Summer
    • For a thorough discussion of American museums, see the special issue of Daedalus: America's Museums 128, no. 3 (Summer 1999);
    • (1999) America's Museums , vol.128 , Issue.3
  • 8
    • 84868438098 scopus 로고    scopus 로고
    • Lists of maritime museums can be found at: http://www. councilofamericanmaritimemuseums.org/; http://www.bb62museum.org/usnavmus.html; http://www.cus.cam.ac.U.K./mhe1000/regions.htm.
  • 10
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    • National museums in a global age: Observations abroad and reflections at home
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    • Graeme Davison, "National museums in a global age: Observations abroad and reflections at home," Negotiating Histories (Canberra: National Museum of Australia, 2001), 13.
    • (2001) Negotiating Histories , pp. 13
    • Davison, G.1
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    • Ralph Samuel, Island Stories: Unraveling Britain. Vol. II of Theatres of Memory (London: Verso, 1998), xii, 21.
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  • 13
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    • South Street Seaport Museum, February 4, New York City
    • Interview with Sharon Ann Holt, Senior Historian, South Street Seaport Museum, February 4, 2003, New York City.
    • (2003) Senior Historian
    • Holt, S.A.1
  • 14
    • 0003771579 scopus 로고
    • Cambridge, Mass: Harvard University Press
    • There is now a vast literature on this topic covering both issues of nationalism and national identity. See, especially, Liah Greenfeld, Nationalism: Five Roads to Modernity (Cambridge, Mass: Harvard University Press, 1992);
    • (1992) Nationalism: Five Roads to Modernity
    • Greenfeld, L.1
  • 25
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    • New Brunswick, N.J.: Transaction Publishers
    • See also Russell Kirk, America's British Culture (New Brunswick, N.J.: Transaction Publishers, 1993);
    • (1993) America's British Culture
    • Kirk, R.1
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    • Anthony Smith, in Myths and Memories of the Nation, points out that the concept of ethnic election, or chosen-ness, has been used by many peoples to establish identity. See pp. 125-40.
    • Myths and Memories of the Nation , pp. 125-140
    • Smith, A.1
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    • (1995) Class
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    • Whose Heritage? Unsettling 'The Heritage', Re-imagining the Post-nation
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    • Stuart Hall, "Whose Heritage? Unsettling 'The Heritage', Re-imagining the Post-nation," Third Text 49 (Winter 1999-2000): 6.
    • (1999) Third Text , vol.49 , pp. 6
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    • New York: Charles Scribners
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  • 71
    • 84868386669 scopus 로고    scopus 로고
    • http://www.cr.nps.gov/history/hisnps/NPSThinking/thematic.htm. The eight themes are Peopling Places, Creating Social Institutions and Movements, Expressing Cultural Values, Shaping the Political Landscape, Developing the American Economy, Expanding Science and Technology, Transforming the Environment, and Changing Role of the United States in the World Community. Notice the order in which these themes are presented.
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    • Tours by Martin Fucio, 11 January and 13 January 2003
    • Tours by Martin Fucio, 11 January and 13 January 2003.
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    • Voices of the Immigrant Past
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    • Tradition and Translation: National culture in its global context
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    • America on the Move, and the South Street Seaport exhibit
    • Museum of American History, New York
    • A new exhibit at the Smithsonian Museum of American History, America on the Move, and the South Street Seaport exhibit World Port New York emphasize themes of diversity, cultural and economic exchange, and globalization. I am grateful to curators at both sites for providing exhibit planning documents which illustrate this.
    • World Port
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    • Against Human Dignity: The development of the Transatlantic Slavery Gallery at Merseyside Maritime Museum, Liverpool
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    • Prepared by Creative Research Ltd, 24 March, Unpublished report, Merseyside Maritime Museum Archives
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    • (1995) Transatlantic Slavery Gallery: Summative Evaluation


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