The effect of conceptual advancement in jazz music selections and jazz experience on musicians' aesthetic response

Journal of Research in Music Education

Volumn 52, Issue 1, 2004, Pages 29-42

  Coggiola, John C ^a  

^a SYRACUSE UNIVERSITY   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 60949730662     PISSN: 00224294     EISSN: None     Source Type: Journal    
DOI: 10.2307/3345523     Document Type: Article

References (28)

1. Adams, B. L. (1994). The effect of visual/aural conditions on the emotional response to music. Unpublished doctoral dissertation, The Florida State University
2. Aiello, R. (1994). Can listening to music be experimentally studied? In R. Aiello with J. Sloboda (Eds.), Musical perceptions. New York: Oxford University Press
3. Berliner, P. F. (1994). Thinking in jazz: The infinite art of improvisation. Chicago: The University of Chicago Press
4. The Billboard's 'all-time jazz greats.' (1959, June 29). Billboard, 23
5. Boyle, J. D., & Radocy, R. E. (1987). Measurement and evaluation of musical experiences. New York: Schirmer
6. Bharucha, J. (1994). Tonality and expectation. In R. Aiello with J. Sloboda (Eds.), Musical perceptions. New York: Oxford University Press
7. Campbell, M. (1991). Musical learning and the development of psychological processes in perception and cognition. Bulletin of the Council for Research in Music Education, no. 107, 35-48
8. Davies, J. B. (1978). The psychology of music. Stanford, CA: Stanford University Press
9. Downbeat 22nd annual readers' poll results. (1958, December 25). Downbeat, 14-26
10. Downbeat 23rd annual readers' poll results. (1959, December 24). Dowmbeat, 22-35
11. Frego, D. (1999). The effect of aural, visual, and aural/visual conditions on subjects' response to perceived artistic tension in music and dance. Journal of Research in Music Education, 47, 31-43
12. Gfeller, K., Asmus, E., & Eckert, M. (1991). An investigation of emotional response to music and text. Psychology of Music, 19 (2), 128-141
13. Gillespie, D., & Fraser, A. (1979). To be or not to bop. New York: Da Capo Press
14. Gregory, D. (1994). Analysis of listening preferences of high school and college musicians. Journal of Research in Music Education, 42, 331-342
15. Gridley, M. C. (2003). Jazz styles: History and analysis (8th ed.). Englewood Cliffs, NJ: Prentice-Hall
16. Hargreaves, D.J. (1984). The effects of repetition on liking for music. Journal of Research in Music Education, 32, 36-46
17. Lychner, J. (1995). An empirical study concerning technology relating to aesthetic response to music. Journal of Research in Music Education, 46, 303-319
18. Madsen, C. K. (1996). Empirical investigation of the "aesthetic response" to music: Musicians and non-musicians. In B. Pennycook & E. Costa-Giomi (Eds.), Proceedings of the 4th International Conference on Music Perception and Cognition (pp. 103-110). Montreal: McGill University
19. Madsen, C. K. (1990). Measuring musical response. Music Educators Journal, 77 (3), 26-28
20. Madsen, C. K., Brittin, R. V., 8c Capperella-Sheldon, D. A. (1993). An empirical investigation of the aesthetic response to music. Journal of Research in Music Education, 41, 57-69
21. Madsen, C. K., & Fredrickson, W. (1993). The experience of musical tension: A replication of Nielsen's research using the Continuous Response Digital Interface. Journal of Music Therapy, 30, 46-63
22. Madsen, C. K., & Madsen, C. H. (1970). Experimental research in musicv. Englewood Cliffs, New Jersey: Prentice-Hall
23. Meyer, L. B. (1956). Emotion and meaning in music. Chicago: University of Chicago Press
24. Misenhelter, D., & Price, H. E. (2001). An examination of music and nonmusic majors' response to selected excerpts from Stravinsky's Le Sacre du printemps. Journal of Research in Music Education, 49, 323-329
25. Price, H. E. (1986). A proposed glossary for use in affective response literature in music. Journal of Research in Music Education, 34, 151-159
26. Shaffer, L. H., & Todd, N. P. (1994). The interpretive component in musical performance. In R. Aiello with J. Sloboda (Eds.), Musical perceptions. New York: Oxford University Press
27. Sloboda, J. A. (1985). The musical mind: The cognitive psychology of music. Oxford, UK: Clarendon
28. Winer, B., Brown, D., & Michels, K. (1991). Statistical principles in experimental design (3rd ed.). New York: McGraw-Hill