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Volumn 19, Issue 2, 1997, Pages 115-154

The medial caesura and its role in the eighteenth-century sonata exposition

(2)  Hepokoski, James a   Darcy, Warren a  

a NONE

Author keywords

[No Author keywords available]

Indexed keywords


EID: 60949698052     PISSN: 01956167     EISSN: None     Source Type: Journal    
DOI: 10.2307/745751     Document Type: Review
Times cited : (83)

References (36)
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    • Karol Berger, "Toward a History of Hearing: The Classic Concerto, A Sample Case," Convention in Eighteenth- and Nineteenth-Century Music: Essays in Honor of Leonard G. Ratner, ed. Wye J. Allanbrook, Janet M. Levy, and William Mahrt (Stuyvesant, N. Y.: Pendragon, 1992), 405-29;
    • (1992) Convention in Eighteenth- and Nineteenth-Century Music: Essays in Honor of Leonard G. Ratner , pp. 405-429
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  • 4
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    • ed. Neal Zaslaw Ann Arbor: University of Michigan
    • "The First-Movement Punctuation Form in Mozart's Piano Concertos," in Mozart's Piano Concertos: Text, Context, Interpretation, ed. Neal Zaslaw (Ann Arbor: University of Michigan, 1996), 239-59.
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  • 5
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    • rev. ed. New York: W. W. Norton
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  • 12
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  • 14
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    • Francesco Galeazzi's Description (1796) of Sonata Form
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    • Churgin, B.1
  • 16
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    • The Concept of développement in the Early Nineteenth Century
    • ed. Ian Bent Cambridge: Cambridge University Press
    • Peter A. Hoyt, "The Concept of développement in the Early Nineteenth Century," in Music Theory in the Age of Romanticism, ed. Ian Bent (Cambridge: Cambridge University Press, 1996), 141-62.
    • (1996) Music Theory in the Age of Romanticism , pp. 141-162
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  • 17
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    • William Drabkin, "Beethoven's Understanding of 'Sonata Form': The Evidence of the Sketchbooks," in Beethoven's Compositional Process, ed. William Kinderman (Lincoln: University of Nebraska Press, 1991), 14-19.
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  • 19
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  • 20
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    • Michelle Fillion, "Sonata Exposition Procedures in Haydn's Keyboard Sonatas," Haydn Studies. Proceedings of the International Haydn Congress, Washington, D.C., 1975, ed. Jens Peter Larsen, Howard Serwer, and James Webster (New York: W. W. Norton, 1981), 475-81.
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  • 21
  • 23
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    • trans. Ernst Oster New York: Longman
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  • 24
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    • The Bifocal Close and the Evolution of the Viennese Classical Style
    • Robert S. Winter "The Bifocal Close and the Evolution of the Viennese Classical Style," Journal of the American Musicological Society 42 (1989): 275-337.
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  • 25
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    • Neue Mozart-Ausgabe, "Klaviersonaten," ed. Wolfgang Plath and Wolfgang Rehm, vol. 1 (Kassel: Bärenreiter, 1986).
    • (1986) Klaviersonaten , vol.1
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  • 26
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  • 35
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    • Sonata Form
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    • Wolf, E.K.1


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.