메뉴 건너뛰기




Volumn 2006, Issue 8, 2006, Pages 140-148

My dinner with Noël; or, can we forget the medium?

(1)  Smith, Murray a  

a NONE

Author keywords

[No Author keywords available]

Indexed keywords


EID: 60949646292     PISSN: 14690314     EISSN: None     Source Type: Journal    
DOI: None     Document Type: Article
Times cited : (10)

References (10)
  • 4
    • 79953610028 scopus 로고    scopus 로고
    • The medium-as-artform being regarded as a (virtual) 'natural kind'
    • The medium-as-artform being regarded as a (virtual) 'natural kind' Carroll, 'Forget the Medium!', (p. 7).
    • Forget the Medium! , pp. 7
    • Carroll1
  • 5
    • 79953356349 scopus 로고    scopus 로고
    • Cambridge, Cambridge University Press
    • I use this term in the broad and inclusive sense alluded to by Carroll in his essay on Gregory Currie's Image and Mind (Cambridge, Cambridge University Press, 1996),
    • (1996) Gregory Currie's Image and Mind
    • Carroll1
  • 6
    • 79953472968 scopus 로고    scopus 로고
    • The Essence of Cinema ?
    • note 11
    • where he notes that the word 'painting,' as it is used to refer to an artform, is really a stand-in for the idea of 'marking surfaces,' since art historians routinely encompass great diversity in respect of the material of the surface to be marked, the materials used to mark it, and the instruments and techniques used in the process of marking ('The Essence of Cinema ?' Engaging the Moving Image, note 11, p. 264). Herbert's poem fits comfortably into this definition as a 'painting' - a surface marked to depict something or to create a visually arresting design.
    • Engaging the Moving Image , pp. 264
  • 7
    • 79953643076 scopus 로고
    • The case of Snow's film is similar to the sub-genre of painting and sculpture known as 'word art,' in which the artwork is dominated by the rendering of words. Contemporary exponents of the form include Jenny Holzer, Sean Landers, Richard Prince, and Peter Davies; Landers' Self-Something (1994) is a spectacular example. Again we can ask: why do we think of these artworks as paintings rather than poems or short stories, in spite of their intense focus on language? Are we right to do so?
    • (1994) Landers' Self-Something
    • Holzer, J.1    Landers, S.2    Prince, R.3    Davies, P.4
  • 8
    • 79953462441 scopus 로고
    • Veni, vidi, video
    • Philadelphia, Temple University Press
    • I derive this observation from J. Hoberman, 'Veni, vidi, video,' Vulgar Modernism (Philadelphia, Temple University Press, 1991), p. 41.
    • (1991) Vulgar Modernism , pp. 41
    • Hoberman, J.1
  • 10
    • 79953377809 scopus 로고
    • Review of My Dinner with André
    • Bruce Kawin, review of My Dinner with André, Film Quarterly, 35:2 (1981/2): 63.
    • (1981) Film Quarterly , vol.35 , Issue.2 , pp. 63
    • Kawin, B.1


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.