Prompting, backstage activity, and the openings onto the Shakespearean stage

Theatre Notebook

Volumn 56, Issue 3, 2002, Pages 138-142

  Gurr, Andrew ^a   Egan, Gabriel ^b  

^a UNIVERSITY OF READING   (United Kingdom)

^b KING'S COLLEGE LONDON   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 60949576678     PISSN: 00405523     EISSN: None     Source Type: Journal    
DOI: None     Document Type: Article

References (12)

1. John Webster, The Duchess of Malfy STC 25276, London 1623, sig. A2v
2. Irwin Smith, 'Theatre into Globe' Shakespeare Quarterly 3, 1952, 113-120.
3. John Marston, Antonio's Revenge ed. G.K. Hunter, Regents Renaissance Drama Series, London 1966, 2.2.64
4. John Marston, Antonio's Revenge ed. W. Reavley Gair, The Revels Plays, Manchester, 1978, 2.3.64
5. John Marston, Antonio's Revenge STC 17474, London 1602, sig. D4v
6. John Davies and Christopher Marlowe, Epigrams and Elegies, STC 6350, Middlesborough [1595-6], sig. A4r
7. For the dating of the epigrams, see Robert Krueger, 'Sir John Davies: Orchestra Complete, Epigrams, Unpublished Poems', Review of English Studies 13, 1962, 13-124.
8. See David Bradley, From Text to Performance in the Elizabethan Theatre, Cambridge 1992, 75-94.
9. Andrew Gurr and Mariko Ichikawa, Staging in Shakespeare's Theatres, Oxford 2000, 72-95
10. Thomas Dekker, Satiromastix, or the Untrussing of the Humorous Poet STC 6521, London 1602, sig. M1r
11. See Leslie Thomson, "A Quarto 'Marked for Performance': Evidence of What?" Medieval and Renaissance Drama in England 8, 1996, 176-210.
12. See Gurr, 'Maximal and Minimal Texts: Shakespeare v. the Globe', Shakespeare Survey 52, 1999, 68-87