The camera and man: Colonialism, masculinity and documentary fiction

Third Text

Volumn 12, Issue 42, 1998, Pages 3-17

  Geiger, Jeffrey ^a  

^a UNIVERSITY OF ESSEX   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 60949490009     PISSN: 09528822     EISSN: None     Source Type: Journal    
DOI: 10.1080/09528829808576714     Document Type: Article

References (26)

1. The Camera and Man', in Paul Hockings (ed), Principles of Visual Anthropology, Mouton de Gruyter, Berlin, 1995, p 80
2. Walter Benjamin, The Origin of German Tragic Drama, trans. John Osborne, Verso, London, 1977, pp 210, 194
3. Peter Loizos, Innovation in Ethnographic Film, University of Chicago Press, Chicago, 1993, p 53
4. See Rouch's 'Preface' to Justin-Daniel Gandoulou's Au coeur de la Sape: moeurs et aventures des Congolais à Paris, Ed L'Harmattan, Paris, 1989, pp 8-9
5. Paul Stoller, The Cinematic Griot: The Ethnography of Jean Rouch, University of Chicago Press, Chicago, 1992. p 101
6. Bronislaw Malowski, Argonauts of the Western Pacific (1922), Dutton, New York, 1961, p 25
7. Bill Nichols, Christian Hansen and Catherine Needham, 'Pornography, Ethnography, and the Discourses of Power', in Nichols, Representing Reality, Indiana University Press, Bloomington, 1991, p 212
8. Tanya Modleski, Feminism Without Women, Routledge, New York, 1991, p 119
9. Homi K Bhabha, The Other Question: Difference, Discrimination, and the Discourse of Colonialism', in Out There: Marginalization and Contemporary Culture, MIT Press, Cambridge, Mass., 1990, p 75
10. As cited in M Ali Issari and Doris A Paul, What is Cinéma Vérité?, Scarecrow Press, London, 1979, p 9
11. Paul Rabinow, "Representations are Social Facts: Modernity and Postrnodernity in Anthropology', in James Clifford and George Marcus (eds), Writing Culture, University of California Press, Los Angeles, 1986, p 241
12. Dennis O'Rourke, Dennis O'Rourke Replies', Visual Anthropology Review 9, Fall 1993, p 115
13. As cited in John Powers, The Filmmaker and the Prostituté, L.A. Weekly, 6 March, 1992, p 20
14. Martina Reiker, 'Narrating the Post-Colonial Everyday: An Interrogation of The Good Woman of Bangkoḱ, Visual Anthropology Review 9, Spring 1993, p ll7
15. Margaret Mead, Male and Female (1949), William Morrow, New York, 1967, p 28
16. Ella Taylor, Review of The Good Woman of Bangkok, L.A. Weekly, 6 March, 1992, p 20
17. Trinh T Minh-ha, 'Outside In Inside Out', in Jim Pines (ed), Questions of Third Cinema, British Film Institute, London, 1989, p l35
18. Vasit Dejkunjorn, 'Concerning Farang', in Herbert E Phillips (ed), Modern Thai Literature, University of Hawaii Press, Honolulu, 1987, p 1OO
19. James Clifford, 'Of Other Peoples: Beyond the Salvage Paradigm', in Hal Foster (ed) Dia Art Foundation Discussion in Contemporary Cultures 1, Bay Press, Seattle, 1987, p 122
20. As cited in Powers, op cit, p 29
21. Mick LaSalle, Review of The Good Woman of Bangkok, in The San Francisco Chronicle, 15 February, 1992, p E1
22. Edward Said, 'Representing the Colonized: Anthropology's Interlocutors', Critical Inquiry 15, Winter 1989, p 212
23. Noel King,'Recent "Political" Documentary: Notes on Union Maids and Harlan County, USA', Screen 22, 1981, p 12
24. E Ann Kaplan, Theories and Strategies of the Feminist Documentary', in Alan Rosenthal (ed), New Challenges for Documentary, University of California Press, Los Angeles, 1988, p 81
25. Angkarn Kalayaanaphong, 'Grandma', in Modem Thai Literature, op cit, p 85
26. Homi K Bhabha,'Of Mimicry and Man: The Ambivalence of Colonial Discourse", in The Location of Culture, Routledge, New York, 1994, p 86