The Art of Performance

The Art of Performance

Volumn , Issue , 2008, Pages 1-130

  Schenker, Heinrich ^a   Esser, Heribert ^a   Scott, Irene Schreier ^b  

^a Adalaide   (Australia)

^b CARNEGIE MELLON UNIVERSITY   (United States)

Author keywords

Conceptual integrity; Dissembling means; Dynamics; Mode of notation; Piano singing; Practicing; Re creation

Indexed keywords

EID: 60949443735     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.1093/acprof:oso/9780195151510.001.0001     Document Type: Book

References (21)

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2. Beethovens SÄmtliche Klaviersonaten. Vienna: Universal Edition, 1923. Revised edition by Erwin Ratz, Vienna: Universal Edition, 1947. (Beethoven, Complete Piano Sonatas. Reprint of the edition from 1921-23, with an introduction by Carl Schachter. New York: Dover, 1975.)
3. Ein Beitrag zur Ornamentik. Vienna: Universal Edition, 1904 and 1908. (A Contribution to the Study of Ornamentation. Translated by H. Siegel. Music Forum, vol. 4, New York: Columbia University Press, 1976.)
4. ErlÄuterungsausgabe der letzten fünf Sonaten Beethovens. Vienna: Universal Edition op. 109, published 1913 op. 110, published 1914 op. 111, published 1915 op. 101, published 1920 Revised edition by O. Jonas, Vienna: Universal Edition, 1970-71.
5. Der Freie Satz. Vienna: Universal Edition, 1935 Revised and edited by O.Jonas, Vienna: Universal Edition, 1956. (Free Composition. Translated and edited by E. Oster. New York: Longman, 1979.)
6. J. S. Bach, Chromatische Fantasie und Fuge. Vienna: Universal Edition, 1909. Revised edition by O. Jonas, Vienna: Universal Edition, 1969. (J. S. Bach's Chromatic Fantasy and Fugue. Translated and edited by H. Siegel. New York: Schirmer Books, 1984.)
7. "Ein Kommentar zu Schindler, Beethovens Spiel betreffend." Dreiklang, vol. 8/9, November 1937/ February 1938, p. 190 ff.
8. Oswald Jonas, "Die Kunst des Vortrags nach Heinrich Schenker." Musikerziehung, vol. 15, 1962, pp. 122-129.
9. Kontrapunkt. vol. 1, Stuttgart and Berlin: J. G. Cottasche Buchhandlung Nachfolger, 1910; vol. 2, Vienna: Universal Edition, 1922.(Counterpoint. Translated and edited by J. Rothgeb and Jurgen Thym, edited by J. Rothgeb. New York: Schirmer Books, 1987.)
10. Das Meisterwerk in der Musik. Munich: Drei Masken Verlag Jahrbuch I, published 1925
11. Jahrbuch II, published 1926 Jahrbuch III, published 1930 (The Masterwork in Music, 3 vols., edited by W. Drabkin, Cambridge: Cambridge University Press vol. 1, published 1994 vol. 2, published 1996 vol. 3, published 1997)
12. Der Tonwille, 10 issues. Vienna: A. Gutmann Verlag, 1910-24. Reprint Hildesheim: G. Olms, 1990.
13. Oswald Jonas, "Die Kunst des Vortrags nach Heinrich Schenker." Musikerziehung, vol. 15, 1962, pp. 122-129.
14. Oswald Jonas, "Heinrich Schenker und grosse Interpreten." österreichische Musikzeitschrifi, 19 (1964), pp. 584-89.
15. Hellmuth Federhofer, Heinrich Schenker. Nach Tagebüchern und Briefen in der Oswald Jonas Memorial Collection. Hildesheim: G. Olms, 1985.
16. "Schenker's Theory of Levels and Musical Performance," in Aspects of Schenkerian Theory, edited by David Beach, New Haven: Yale University Press, 1983, pp. 95-112.
17. Jean-Jacques Eigeldinger, Chopin vu par ses élèves, Nenchâtel: Editions de la Baconnière, 1970 and 1979 (Chopin: Pianist and Teacher As Seen by His Pupils, edited by R. Howat, Cambridge: Cambridge University Press, 1986).
18. R. Kosovsky, The Oster Collection: Papers of H. Schenker. A Finding List. New York Public Library, 1990. (Hereafter: Finding List)
19. [OJMC] The Oswald Jonas Memorial Collection, Rivera Library, University of California at Riverside.
20. R. Lang and J. Kunselman, H. Schenker, O. Jonas, M. Violin: A Checklist of Manuscripts and Other Papers in the Oswald Jonas Memorial Collection. University of California Press, 1994. (Hereafter: Checklist)
21. H. Schenker, entries in his journal. OJMC boxes 1-4. Checklist, pp. 3-5